A work in constant progress (and occasional regress).
Alias:
George Hurrell
Birthplace:
Cincinnati, Ohio, USA
Born:
June 1, 1904
Died:
May 17, 1992
Classically trained as a painter, Hurrell employed fine art techniques in his compositions. Beginning in 1930, Hurrell worked as a portrait photographer for most of the major Hollywood motion picture studios, first with Metro-Goldwyn-Mayer. While most of the country suffered during the Great Depression in the 1930s, the movie industry thrived. During this time especially, Hurrell's photographs did more than just promote a film or a celebrity; for many, the glamour, romance, and drama of these photos provided a momentary mental escape from difficult times. Hurrell is credited with creating the standard for the idealized Hollywood glamour portrait. Always an innovator, he invented the boom light and developed several-now standard-lighting techniques. Hurrell's signature use of precision lighting, spotlights, shadows, and hand-retouching on the negatives produced romantic portraits that became his trademark style and the definition of glamour for the movie industry. The very notion is so familiar, and the images that most perfectly illustrate the concept are so readily conjured, that most movie fans are unaware that one man - a single photographer - is largely responsible for the look and feel of the classic film-glamour ideal.
Still Photographer:
1930 Free and Easy
1930 The Unholy Three
1931 Possessed
1932 Letty Lynton
1932 Red-Headed Woman
1933 Secrets
1935 Escapade
1936 Romeo and Juliet
1940 They Drive by Night
1971 The Mephisto Waltz
1978 Rabbit Test
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.