A work in constant progress (and occasional regress).
Alias:
Barry Kroeger
Barry Kroger
Berry Kroger
Walker Berry Kroeger
Birthplace:
San Antonio, Texas, USA
Born:
October 16, 1912
Died:
January 4, 1991
Berry Kroeger was an American film, television and stage actor. Born in San Antonio, Texas, Kroeger got his acting start on radio as an announcer on Suspense and as an actor, playing for a time The Falcon in the radio series. Kroeger was a regular as Sam Williams on the radio daytime drama Young Doctor Malone. He was discovered by filmmaker William Wellman while performing on Broadway and began appearing in films in 1948 with his role in The Iron Curtain. Kroeger specialized in playing slimy bad guys in films like Act of Violence (1948) and The Iron Curtain (1948), a crooked lawyer in Cry of the City (1948) and a heavy in Joseph H. Lewis' cult crime classic, Gun Crazy (1949). His flair for decadent leering and evil scowls often led to his being cast in "schlock fare", like 1966's Chamber of Horrors and 1971's The Incredible Two-Headed Transplant. He appeared in a small role as a village elder in Young Frankenstein (1974). He appeared in dozens of television programs. He guest starred on seven episodes of Perry Mason, including murderer Edgar Whitehead in the 1961 episode, "The Case of the Blind Man's Bluff," and murder victim Kirk Cameron in the 1964 episode, "The Case of the Illicit Illusion." He also appeared in shows such as Hawaiian Eye, Get Smart (as a character spoofing actor Sydney Greenstreet) and The Man from U.N.C.L.E.. His last major film role was in 1977's The Demon Seed. On Broadway, Kroeger portrayed the High Lama in the ill-fated 1956 musical adaptation of Lost Horizon entitled Shangri-La. On January 4, 1991, Berry Kroeger died of kidney failure. *Source:* **Wikipedia**
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.