A work in constant progress (and occasional regress).
Release Date:
December 3, 2015
Original Title:
Kryptonita
Genres:
Comedy | Fantasy | Science Fiction
Production Companies:
Crudo Films
INCAA
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 80
Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.
Art Direction:
Catalina Oliva
Assistant Director:
Martín Armoya
Associate Producer:
João Pedro Fleck
Nicolas Tonsho
Best Boy Electrician:
Julián Cantaro
Colorist:
Mariano Dawidson
Costume Assistant:
Manuela Maglio
Costume Design:
Laura Cacherosky
Dialogue Editor:
Lucas Meyer
Sofía Straface
Director:
Nicanor Loreti
Director of Photography:
Mariano Suárez
Editor:
Francisco Freixa
Nicanor Loreti
Executive Producer:
Jimena Monteoliva
First Assistant Camera:
Lucas Timerman
Foley Artist:
Miren Begoña Cortazar
Gaffer:
Carlos Chango Diaz
Makeup Artist:
Rebeca Martínez
Music:
Darío Georges
Producer:
Nicanor Loreti
Jimena Monteoliva
Production Design:
Catalina Oliva
Production Manager:
Federico Peña
Script Supervisor:
Bernardo Bronstein
Second Assistant Camera:
Constanza Sandoval
Second Assistant Director:
Augusto Sinay
Second Unit Director:
Alejo Rébora
Set Dresser:
Cecilia Jacquemin
Sound:
Sebastián González
Sound Effects Editor:
Lucas Meyer
Nerina Valido
Sound Mixer:
Sebastián González
Nahuel Palenque
Sound Re-Recording Mixer:
Sebastián González
Special Effects Coordinator:
Franco Burattini
Alberto Jaceniuk
Special Effects Technician:
Axel Peruzzo
Steadicam Operator:
Claudio Iturrieta
Darío Trivino
Gustavo Triviño
Still Photographer:
Daniela Giménez
Alejo Rébora
Thanks:
Joaquin Chazarreta
Visual Effects Coordinator:
Mariano Dawidson
Visual Effects Editor:
Andrés Borghi
Eric Dawidson
Writer:
Nicanor Loreti
Camilo de Cabo
Nicolás Britos
Paula Manzone
Leonardo Oyola
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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