A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
June 13, 1985
Alejo Rébora was born in June 1985, in Buenos Aires. He founded SARNA in 2003 to distribute his initial, cheap, and small short films as a filmmaker. Later, he studied film direction; the shorts began to be less modest, and SARNA's technical team expanded to become a natural force advocating CINEPUNK with much more imagination than budget. From 2007 to 2018, he managed, conceptualized, did graphic design, and authored DVDs for Distribución SRN, a label that champions "underground cinema in deluxe editions" title by title. Currently, he has five feature films in his filmography —the TRASH trilogy (2010-2019), the documentary El Camino de Tico Tico (2020), and the suspense comedy 7 VIDAS (2024). SARNA continues to produce and create short films, music videos, and independent and somewhat experimental films.
Art Designer:
2021 Encuentro Letal
Camera Operator:
2009 Rojo Sangre: 10 años a puro género
2012 Sonríe
2016 The Last Party
2019 Tr3sh: La concha de su madre
2021 Encuentro Letal
2024 Doctor Cerebro
Director:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2024 7 vidas
2024 Doctor Cerebro
Director of Photography:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2022 Ópera villera
2024 7 vidas
2024 Doctor Cerebro
Editor:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2022 Ópera villera
2024 7 vidas
2024 Doctor Cerebro
Graphic Designer:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2022 Ópera villera
2024 7 vidas
2024 Doctor Cerebro
Second Unit Director:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2015 Kryptonita
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2022 Ópera villera
2024 7 vidas
2024 Doctor Cerebro
Still Photographer:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2015 Kryptonita
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2022 Ópera villera
2024 7 vidas
2024 Doctor Cerebro
Writer:
2009 Rojo Sangre: 10 años a puro género
2010 Trash
2012 Sonríe
2013 Trash 2: las tetas de Ana L.
2015 Kryptonita
2016 The Last Party
2019 El camino de Tico Tico
2019 Tr3sh: La concha de su madre
2020 The Pandemic Anthology
2021 Encuentro Letal
2021 Necesitamos un tiempo
2022 Ópera villera
2024 7 vidas
2024 Doctor Cerebro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.