Gustavo Triviño

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Camera Operator:
2020  Nasha Natasha

Director:
2013  From Tuesday to Tuesday
2020  Nasha Natasha

Electrician:
1998  Pizza, Beer, and Cigarettes
2013  From Tuesday to Tuesday
2020  Nasha Natasha

Steadicam Operator:
1998  Pizza, Beer, and Cigarettes
2004  Erreway: 4 caminos
2009  Dad for a Day
2011  Chinese Take-Away
2011  Tata Cedrón, el regreso de Juancito Caminador
2011  Widows
2012  Diablo
2013  From Tuesday to Tuesday
2014  Gato negro
2014  Partners By Accident
2014  The Ardor
2015  Kryptonita
2015  The Movement
2016  I'm Gilda
2016  Terror 5
2016  The Black Frost
2016  The Last Party
2017  10 Days Without Mom
2017  Corralón
2017  Those Who Love, Hate
2018  27: The Cursed Club
2018  El Angel
2018  El Potro: Unstoppable
2018  The Quietude
2019  Heroic Losers
2019  Murder Me, Monster
2020  Nasha Natasha
2020  The Heist of the Century
2022  All Hail
2022  The Marriage App
2022  Today We Fix the World

Steadycam:
1998  Pizza, Beer, and Cigarettes
2004  Erreway: 4 caminos
2007  Mate al fondo
2009  Dad for a Day
2011  Chinese Take-Away
2011  Tata Cedrón, el regreso de Juancito Caminador
2011  Widows
2012  Diablo
2013  From Tuesday to Tuesday
2014  Gato negro
2014  Partners By Accident
2014  Tenemos un problema, Ernesto
2014  The Ardor
2015  Kryptonita
2015  The Movement
2016  I'm Gilda
2016  Terror 5
2016  The Black Frost
2016  The Last Party
2017  10 Days Without Mom
2017  Corralón
2017  Those Who Love, Hate
2018  27: The Cursed Club
2018  El Angel
2018  El Potro: Unstoppable
2018  The Quietude
2019  Heroic Losers
2019  Murder Me, Monster
2020  Nasha Natasha
2020  The Heist of the Century
2022  All Hail
2022  The Marriage App
2022  Today We Fix the World

Camera Operator:
2008  Amanda O

Steadicam Operator:
2002  Rebelde Way
2005  Doble vida
2006  Alma Pirata
2007  El hombre que volvió de la muerte
2008  Amanda O
2009  Los Exitosos Perez
2010  Alguien que me quiera
2019  Apache: The Life of Carlos Tevez

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.