A work in constant progress (and occasional regress).
Alias:
알렉산더 맥켄드릭
Birthplace:
Boston, Massachusetts, USA
Born:
September 8, 1912
Died:
December 22, 1993
Alexander Mackendrick (September 8, 1912 – December 22, 1993) was an American-born Scottish film director and screenwriter. He directed nine feature films between 1949 and 1967, before retiring from filmmaking to become an influential professor at the California Institute of the Arts. Born to Scottish immigrant parents in Boston, he was raised in Glasgow from the age of 6. He began making television commercials before moving into post-production editing and directing films, most notably for Ealing Studios where his films include Whisky Galore! (1949), The Man in the White Suit (1951) - which earned him an Oscar nomination for Best Screenplay, The Maggie (1954), and The Ladykillers (1955). In 1957, Mackendrick directed his first American film Sweet Smell of Success, which was a critical and commercial success. However, his directing career declined throughout the following decade, and he was fired or replaced from several projects, owing in part to his perfectionist approach to filmmaking. Mackendrick retired from directing in the late 1960's after completing A High Wind in Jamaica (1965) and Don't Make Waves (1967), becoming the founding Dean (and later a Professor) of the CalArts School of Film/Video.
Additional Writing:
1957 Sweet Smell of Success
Director:
1941 The Pocket Cartoon
1943 Contraries
1949 Whisky Galore!
1951 The Man in the White Suit
1952 Mandy
1954 The 'Maggie'
1955 The Ladykillers
1957 Sweet Smell of Success
1963 Sammy Going South
1965 A High Wind in Jamaica
1967 Don't Make Waves
Screenplay:
1941 The Pocket Cartoon
1943 Contraries
1949 Whisky Galore!
1950 Dance Hall
1951 The Man in the White Suit
1952 Mandy
1954 The 'Maggie'
1955 The Ladykillers
1957 Sweet Smell of Success
1963 Sammy Going South
1965 A High Wind in Jamaica
1967 Don't Make Waves
Script Consultant:
1941 The Pocket Cartoon
1943 Contraries
1948 Robinson Charley
1949 Whisky Galore!
1950 Dance Hall
1951 The Man in the White Suit
1952 Mandy
1954 The 'Maggie'
1955 The Ladykillers
1957 Sweet Smell of Success
1958 Fanfare
1963 Sammy Going South
1965 A High Wind in Jamaica
1967 Don't Make Waves
Story:
1937 Midnight Menace
1941 The Pocket Cartoon
1943 Contraries
1948 Robinson Charley
1949 Whisky Galore!
1950 Dance Hall
1951 The Man in the White Suit
1952 Mandy
1954 The 'Maggie'
1955 The Ladykillers
1957 Sweet Smell of Success
1958 Fanfare
1963 Sammy Going South
1965 A High Wind in Jamaica
1967 Don't Make Waves
Thanks:
1937 Midnight Menace
1941 The Pocket Cartoon
1943 Contraries
1948 Robinson Charley
1949 Whisky Galore!
1950 Dance Hall
1951 The Man in the White Suit
1952 Mandy
1954 The 'Maggie'
1955 The Ladykillers
1957 Sweet Smell of Success
1958 Fanfare
1963 Sammy Going South
1965 A High Wind in Jamaica
1967 Don't Make Waves
2007 3:10 to Yuma
2017 Logan
Writer:
1937 Midnight Menace
1938 South Sea Sweethearts
1939 Love on the Range
1941 The Pocket Cartoon
1943 Abu and the Poisoned Well
1943 Abu's Dungeon
1943 Contraries
1948 Robinson Charley
1948 Saraband for Dead Lovers
1949 Whisky Galore!
1950 Dance Hall
1951 The Man in the White Suit
1952 Mandy
1954 The 'Maggie'
1955 The Ladykillers
1957 Sweet Smell of Success
1958 Fanfare
1963 Sammy Going South
1965 A High Wind in Jamaica
1967 Don't Make Waves
2004 Mackendrick on Film
2007 3:10 to Yuma
2017 Logan
Director:
1961 The Defenders
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.