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Marco Fargnoli

Biography from TheMovieDB

Marco Fargnoli is an American director of photography. Fargnoli began his career in Dayton Ohio and moved to Los Angeles in 1997.

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Additional information:

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Film Production

Cinematography:
2002  The Dogwalker

Director of Photography:
2001  The Sleepy Time Gal
2002  The Dogwalker
2004  The Act
2005  Race You to the Bottom
2007  Put It in a Book
2009  Lonely Street
2010  Sheltered
2011  Husk
2011  The Soccer Nanny
2012  The Philly Kid
2013  Sweet Talk
2017  The Black Ghiandola
2022  Senior Year

First Assistant Camera:
2001  The Sleepy Time Gal
2002  Real Women Have Curves
2002  The Dogwalker
2004  The Act
2005  Race You to the Bottom
2007  Put It in a Book
2009  Lonely Street
2010  Sheltered
2011  Husk
2011  The Soccer Nanny
2012  The Philly Kid
2013  Sweet Talk
2017  The Black Ghiandola
2022  Senior Year

Second Assistant Camera:
1998  Johnny Skidmarks
2001  The Sleepy Time Gal
2002  Real Women Have Curves
2002  The Dogwalker
2004  The Act
2005  Race You to the Bottom
2007  Put It in a Book
2009  Lonely Street
2010  Sheltered
2011  Husk
2011  The Soccer Nanny
2012  The Philly Kid
2013  Sweet Talk
2017  The Black Ghiandola
2022  Senior Year

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TV Production

Director:
2008  Childrens Hospital
2012  The Mindy Project
2019  Good Trouble

Director of Photography:
2008  Childrens Hospital
2012  The Mindy Project
2019  Good Trouble
2020  Medical Police

Producer:
2008  Childrens Hospital
2012  The Mindy Project
2019  Good Trouble
2020  Medical Police

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.