Claire Simpson

Birthplace:
UK

Claire Simpson is a British film editor whose work has been honored with an Academy Award (for Oliver Stone's Platoon) and a BAFTA Film Award for Best Editing for The Constant Gardener. She was mentored by Dede Allen and in turn mentored such notable and renowned Academy Award-winning film editors as Pietro Scalia, David Brenner, Joe Hutshing and Julie Monroe. She also worked as editor of Oliver Stone's Salvador and Wall Street.

Additional information:

The Search Form


Additional Editing:
2015  Black Mass

Assistant Editor:
1979  Caligula
2015  Black Mass

Editor:
1979  Caligula
1984  C.H.U.D.
1984  Soldiers in Hiding
1986  Platoon
1986  Salvador
1987  Someone to Watch Over Me
1987  Wall Street
1988  Tequila Sunrise
1989  Hell High
1990  State of Grace
1992  The Mambo Kings
1994  Black Beauty
1996  The Fan
1998  Without Limits
1999  Jakob the Liar
2001  Town & Country
2002  Possession
2005  The Constant Gardener
2006  The Return
2008  Stop-Loss
2008  The Reader
2009  Nine
2011  Extremely Loud & Incredibly Close
2014  A Most Wanted Man
2015  Black Mass
2015  Far from the Madding Crowd
2017  All the Money in the World
2017  The Snowman
2021  House of Gucci
2021  The Last Duel
2023  Napoleon
2024  Gladiator II

Editor:
2020  Raised by Wolves

Executive Producer:
2020  Raised by Wolves
2024  GPs: Treating Rural Britain

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.