A work in constant progress (and occasional regress).
Release Date:
April 24, 1942
Original Title:
This Gun for Hire
Alternate Titles:
A merénylet
Acest ucigaş tocmit
Alma Torturada
Aluga-se Esta Arma
De omgekochte dooder
De wreker
Die Narbenhand
El cuervo
I agapi tou gangster
Il fuorilegge
Inringad!
Killer zu vermieten
Pistolet do wynajecia
Pistolet do wynajęcia
Revolver til leie
Revolver til leje
Tueur à gages
Un alma atormentada
Un alma torturada
Vainottu
Зброя для найму
Оружие для найма
Оръжие за продан
Genres:
Crime | Mystery | Thriller
Production Companies:
Paramount
Production Countries:
United States of America
Ratings / Certifications:
NL: 9 US: NR
Runtime: 81
Sadistic killer-for-hire Philip Raven becomes enraged when his latest job is paid off in marked bills. Vowing to track down his double-crossing boss, nightclub executive Gates, Raven sits beside Gates' lovely new employee, Ellen, on a train out of town. Although Ellen is engaged to marry the police lieutenant who's hunting down Raven, she decides to try and set the misguided hit man straight as he hides from the cops and plots his revenge.
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Additional Writing:
Frank Tuttle
Art Direction:
Hans Dreier
Robert Usher
Assistant Director:
George Templeton
Associate Producer:
Richard Blumenthal
Boom Operator:
Buck Walters
Costume Design:
Edith Head
Director:
Frank Tuttle
Director of Photography:
John F. Seitz
Editor:
Archie Marshek
Executive Producer:
Buddy G. DeSylva
Makeup Department Head:
Wally Westmore
Novel:
Graham Greene
Orchestrator:
George Parrish
Leo Shuken
Walter Scharf
Original Music Composer:
David Buttolph
Production Design:
Lynd Ward
Publicist:
Teet Carle
Screenplay:
W.R. Burnett
Albert Maltz
Songs:
Frank Loesser
Jacques Press
Sound Recordist:
Philip Wisdom
John Cope
Special Effects:
William L. Pereira
Farciot Edouart
Gordon Jennings
Stage Director:
George King
Still Photographer:
Mal Bulloch
Stunts:
Jack Baxley
Technical Advisor:
Marian Chavez
Jimmy Grippo
Frank Herman
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.