A work in constant progress (and occasional regress).
Alias:
J.N. Cope
John N. Cope
Birthplace:
Utah, USA
Born:
July 11, 1903
Died:
May 12, 1955
Recording Supervision:
1952 Just for You
Sound:
1936 Yours for the Asking
1937 Hold 'Em Navy
1938 If I Were King
1948 The Emperor Waltz
1950 Riding High
1951 Ace in the Hole
1951 Darling, How Could You!
1952 Just for You
1954 Elephant Walk
Sound Recordist:
1936 Easy to Take
1936 The Preview Murder Mystery
1936 Yours for the Asking
1937 Bulldog Drummond Escapes
1937 Bulldog Drummond's Revenge
1937 Hold 'Em Navy
1937 Wells Fargo
1938 Bulldog Drummond in Africa
1938 If I Were King
1939 Midnight
1939 Union Pacific
1940 North West Mounted Police
1940 Road to Singapore
1940 The Mad Doctor
1941 Hold Back the Dawn
1941 The Monster and the Girl
1941 The Shepherd of the Hills
1942 Fly-By-Night
1942 Holiday Inn
1942 Reap the Wild Wind
1942 This Gun for Hire
1944 Going My Way
1945 The Unseen
1946 O.S.S.
1946 The Virginian
1947 California
1947 Unconquered
1947 Where There's Life
1948 The Emperor Waltz
1948 The Paleface
1948 Whispering Smith
1949 Samson and Delilah
1949 Sorrowful Jones
1949 The Heiress
1950 Mr. Music
1950 Riding High
1950 Sunset Boulevard
1951 Ace in the Hole
1951 Darling, How Could You!
1951 Detective Story
1951 Here Comes the Groom
1951 The Mating Season
1952 Botany Bay
1952 Hurricane Smith
1952 Just for You
1952 Somebody Loves Me
1952 The Greatest Show on Earth
1952 The Turning Point
1952 Thunder in the East
1953 Forever Female
1953 Here Come the Girls
1953 Road to Bali
1953 Those Redheads from Seattle
1954 3 Ring Circus
1954 Elephant Walk
1954 Rear Window
1954 Sabrina
1954 Secret of the Incas
1954 The Country Girl
1954 White Christmas
1955 The Court Jester
1955 The Seven Little Foys
1955 To Catch a Thief
1955 We're No Angels
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.