A work in constant progress (and occasional regress).
Alias:
Jack Seitz
John B. Sietz
John Francis Seitz
John Seitz
Birthplace:
Chicago, Illinois, USA
Born:
June 23, 1892
Died:
February 27, 1979
John Francis Seitz, A.S.C. (June 23, 1892 – February 27, 1979) was an American cinematographer and inventor. He was nominated for seven Academy Awards. Seitz's Hollywood career began in 1909 as a lab assistant with the Essanay Film Manufacturing Company in Chicago. He went to work as a lab technician for the American Film Manufacturing Company (known as "Flying A"), also in Chicago. In 1916, during the silent era, he established himself, achieving great successes with the Rudolph Valentino film The Four Horsemen of the Apocalypse (1921). Highly regarded by director Billy Wilder, Seitz worked with him on the film noirs Double Indemnity (1944), The Lost Weekend (1945), and Sunset Blvd. (1950), receiving Academy Award nominations for each. In 1929, he served a year as president of the American Society of Cinematographers (A.S.C.) for which he had been a member since 1923. The A.S.C. named its 2002 Heritage Award after Seitz. Besides one Golden Globe and seven Oscar nominations, he also received the Look Magazine Award for The Lost Weekend, the A.S.C. Award for Sunset Blvd., and was among the winners of the inaugural George Award from the George Eastman House for outstanding contributions to the art of cinema for the years 1915 to 1925. He retired in 1960 and devoted himself to photographic inventions, for which he held 18 patents. An example of one Seitz invention is the matte shot: a large painting is photographed separately and later added to a scene to expand it, add effects, and/or create a sense of depth in backgrounds. He was also noted for his innovations with low-key lighting, which enhanced the film noir style. A widower, he married screenwriter Marie Boyle in 1934 who raised his daughter Margaret Alice Marhoefer and later gave birth to a son, John Lawrence Seitz.
Additional Photography:
1951 Detective Story
Cinematography:
1939 Culinary Carving
1942 Winning Your Wings
1951 Detective Story
Director of Photography:
1916 The Quagmire
1916 The Ranger of Lonesome Gulch
1917 A Game of Wits
1917 Souls in Pawn
1917 The Bride's Silence
1917 The Mate of the Sally Ann
1917 The Serpent's Tooth
1917 Whose Wife?
1918 Beauty and the Rogue
1918 Powers That Prey
1918 Up Romance Road
1919 The Westerners
1920 Hearts Are Trumps
1920 Shore Acres
1920 The Sagebrusher
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1921 Uncharted Seas
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 Classmates
1924 The Arab
1924 The Price of a Party
1926 Mare Nostrum
1926 The Magician
1927 The Fair Co-Ed
1928 Across to Singapore
1928 Adoration
1928 Outcast
1928 The Divine Lady
1928 The Patsy
1928 The Trail of '98
1929 A Most Immoral Lady
1929 Careers
1929 Hard to Get
1929 Her Private Life
1929 Saturday's Children
1929 The Painted Angel
1929 The Squall
1930 Back Pay
1930 In the Next Room
1930 Kismet
1930 Murder Will Out
1930 Road to Paradise
1930 Sweethearts and Wives
1930 The Bad Man
1930 The Right of Way
1931 East Lynne
1931 Hush Money
1931 Men of the Sky
1931 Merely Mary Ann
1931 Misbehaving Ladies
1931 Over the Hill
1931 The Age for Love
1931 Young Sinners
1932 6 Hours to Live
1932 A Passport to Hell
1932 Careless Lady
1932 She Wanted a Millionaire
1932 The Woman in Room 13
1933 Adorable
1933 Dangerously Yours
1933 Ladies They Talk About
1933 Mr. Skitch
1933 Paddy the Next Best Thing
1934 All Men Are Enemies
1934 Coming Out Party
1934 Marie Galante
1934 Springtime for Henry
1935 Curly Top
1935 Helldorado
1935 Navy Wife
1935 One More Spring
1935 Our Little Girl
1935 Redheads on Parade
1935 The Littlest Rebel
1936 15 Maiden Lane
1936 Captain January
1936 Poor Little Rich Girl
1936 The Country Doctor
1937 Between Two Women
1937 Carnival in Paris
1937 Madame X
1937 Navy Blue and Gold
1938 Lord Jeff
1938 Love Is a Headache
1938 Stablemates
1938 The Crowd Roars
1938 Young Dr. Kildare
1939 6,000 Enemies
1939 Bad Little Angel
1939 Culinary Carving
1939 Let's Talk Turkey
1939 Prophet Without Honor
1939 Sergeant Madden
1939 The Adventures of Huckleberry Finn
1939 Thunder Afloat
1940 A Little Bit of Heaven
1940 Dr. Kildare's Crisis
1940 Dr. Kildare's Strange Case
1941 Sullivan's Travels
1942 Fly By Night
1942 Lucky Jordan
1942 The Moon and Sixpence
1942 This Gun for Hire
1942 Winning Your Wings
1943 Five Graves to Cairo
1944 Casanova Brown
1944 Double Indemnity
1944 Hail the Conquering Hero
1944 The Hour Before the Dawn
1944 The Miracle of Morgan’s Creek
1945 The Lost Weekend
1945 The Unseen
1946 Calcutta
1946 Home Sweet Homicide
1946 The Imperfect Lady
1946 The Well Groomed Bride
1947 Saigon
1947 Wild Harvest
1948 Beyond Glory
1948 Night Has a Thousand Eyes
1948 On Our Merry Way
1948 The Big Clock
1949 Chicago Deadline
1949 The Great Gatsby
1950 Appointment with Danger
1950 Captain Carey, U.S.A.
1950 Sunset Boulevard
1950 The Goldbergs
1951 Dear Brat
1951 Detective Story
1951 When Worlds Collide
1952 Botany Bay
1952 The Iron Mistress
1952 The San Francisco Story
1952 The Savage
1953 Desert Legion
1953 Fort Algiers
1953 Invaders from Mars
1954 Rogue Cop
1954 Saskatchewan
1954 The Rocket Man
1955 Hell on Frisco Bay
1955 Many Rivers to Cross
1955 The McConnell Story
1956 A Cry in the Night
1956 Santiago
1957 The Big Land
1958 The Badlanders
1958 The Deep Six
1959 Island of Lost Women
1959 The Man in the Net
1960 Guns of the Timberland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.