A work in constant progress (and occasional regress).
Release Date:
May 11, 2005
Original Title:
Feed
Alternate Titles:
Feed - Fome Assassina
Feed - Friss und stirb!
Gula
Morbide
Вскармливание
喂食
피드
Genres:
Mystery | Thriller
Production Companies:
All At Once
Becker Entertainment
Cutting Edge
Feed Productions
Production Countries:
Australia
Ratings / Certifications:
CH: 18 DE: 18 ES: 18 FR: 18 GR: K18 IT: 18+ US: NC-17|NR
Runtime: 97
A cybercrime investigator tracks a man suspected of force-feeding women to death.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Photography:
David Carrette
Brian Cole
Andrew Davey
Tom Gleeson
Armorer:
Tony Garland
Art Department Assistant:
Bertie Blackman
Anne Robinson
John Snee
Michel Westoll
Art Department Coordinator:
Jamie Gerlach
Assistant Camera:
Inaki De Ubago
Liam Resnekov
Assistant Editor:
Nicole Bou-Samra
Laurie Hughes
Assistant Makeup Artist:
Sherry Hubbard
Nicole Schipilliti
Associate Producer:
John Lee
Best Boy Electric:
Jimmy Page
Boom Operator:
Jake Brown
Co-Producer:
Alex O'Loughlin
Patrick Thompson
Colorist:
Warren Lynch
Compositor:
Matt Chance
Tim Jones
Continuity:
Kristin Witcombe
Sarah Muir
Costume Design:
Helen Mather
Dialogue Editor:
Steve Lambeth
Digital Compositor:
Kate Auld
Jamal Knight
Director:
Brett Leonard
Director of Photography:
Steve Arnold
Dolby Consultant:
Bruce Emery
Editor:
Mark Bennett
Electrician:
Brian Cole
Andrew Davey
Executive Producer:
Chris Foster
John Gregory
Greg Quail
Jack Thompson
First Assistant Director:
Gordon Westman
Focus Puller:
Brycen Horne
Foley Artist:
Helen Brown
Foley Editor:
Nicholas Byrnes
Peter Cormack
Luke Young
Foley Recordist:
Duncan McAllister
Gaffer:
Andrew Robertson
Graphic Designer:
Felix Blackman
Tisha Lazaro
Idea:
Patrick Thompson
Alex O'Loughlin
Location Scout:
Lisa Scope
Main Title Designer:
Kate Auld
Kurtis Richmond
Makeup Artist:
Michelle Chung
Gab Facchinei
Marea Fowler
Emily Hunt
Sam Jinks
Erin Leaman
Debbie Muller
Colin Wilson
Makeup Effects:
Grant Biffin
Paul Katte
Nick Nicolaou
John Robinson
Makeup Supervisor:
Jo Cotter
Matte Painter:
Kurtis Richmond
Music:
Gregg Leonard
Geoff Michael
Music Supervisor:
Gregg Leonard
Online Editor:
Matt Bennett
Mark Doney
Jeff Gaunt
Antony Haberl
Jamal Knight
Colin Renshaw
Post Coordinator:
Candace McMillan
Post Production Assistant:
Jan Christian Frugård
Post Production Supervisor:
Leonard Coster
Producer:
Melissa Beauford
Production Accountant:
Steven Rosen
Production Assistant:
Rhiannon Beattie
Fiona Dunford
Production Coordinator:
Sophie Dick
Production Design:
Jessamy Llewelyn
Production Manager:
Sandy Stevens
Production Secretary:
Annmaree Bell
Production Supervisor:
Leonard Coster
Property Master:
Megan Riakos
Props:
Suzanne Auerswald
Prosthetic Makeup Artist:
Paul Katte
Nick Nicolaou
Recording Supervision:
John Dennison
Tony Vaccher
Script Supervisor:
Gillian Stein
Second Assistant Camera:
Inaki De Ubago
Second Assistant Director:
John Clabburn
Joshua Watkins
Second Unit:
Brycen Horne
Set Dresser:
Suzanne Auerswald
Becky Dickinson
Sound Designer:
Matt Connolly
Pete Jones
Sound Recordist:
Mark Cornish
Sound Supervisor:
John Dennison
Warren Pearson
Special Effects:
David Trethewey
Steadicam Operator:
Robert Agganis
Still Photographer:
Peter Carrette
Story:
Alex O'Loughlin
Patrick Thompson
Stunt Coordinator:
John Walton
John Walton
Stunt Double:
Dan Weavell
Stunts:
Mike Duncan
Mike Duncan
Third Assistant Director:
Michael Samer
Unit Manager:
Brendan Fitzgerald
Brendan Fitzgerald
VFX Supervisor:
Ben Folkman
Visual Effects:
Elie Jamaa
Visual Effects Coordinator:
Melanie Marcello
Visual Effects Producer:
Jodie Camilleri
Writer:
Kieran Galvin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.