John Dennison

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Birthplace:
Nundah, Qld

John Dennison born in Queensland, attended AFTRS from 1981 -1984. With fellow student Tony Vaccher they established Audio Loc Sound Design and pioneered digital soundtracks for Film and Television - a technology which - until then had really only been used in music recording. Their partnership with Fairlight lasted many years, and their ability to create beautiful sound design for smaller independent productions utilising this technology continued until 2012 when the Screen Australia facility they were established in, finally closed it's doors.

Additional information:

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Foley Artist:
1997  Thank God He Met Lizzie

Foley Recordist:
1989  Sweetie
1997  Thank God He Met Lizzie

Recording Supervision:
1989  Sweetie
1997  Thank God He Met Lizzie
2005  Feed

Sound Designer:
1989  Sweetie
1993  Breathing Under Water
1997  Thank God He Met Lizzie
2005  Feed
2008  Bella

Sound Mixer:
1989  Sweetie
1993  Breathing Under Water
1997  Thank God He Met Lizzie
2004  Love in the First Degree
2005  Feed
2008  Bella

Sound Re-Recording Mixer:
1989  Sweetie
1993  Breathing Under Water
1997  Thank God He Met Lizzie
2004  Love in the First Degree
2005  Feed
2006  Last Train to Freo
2008  All My Friends Are Leaving Brisbane
2008  Bella
2008  The View from Greenhaven
2009  Bright Star
2010  The Clinic

Sound Supervisor:
1989  Sweetie
1993  Breathing Under Water
1994  The Roly Poly Man
1997  Thank God He Met Lizzie
2004  Love in the First Degree
2005  Feed
2006  Last Train to Freo
2008  All My Friends Are Leaving Brisbane
2008  Bella
2008  The View from Greenhaven
2009  Bright Star
2009  Broken Hill
2010  The Clinic
2011  My America

Supervising Sound Editor:
1989  Sweetie
1993  Breathing Under Water
1994  The Roly Poly Man
1997  Thank God He Met Lizzie
2004  Love in the First Degree
2005  Feed
2006  Last Train to Freo
2008  All My Friends Are Leaving Brisbane
2008  Bella
2008  The View from Greenhaven
2009  Bright Star
2009  Broken Hill
2010  The Clinic
2011  My America

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.