Megan Riakos

Birthplace:
Sydney, Australia

Megan is a filmmaker with 18 years experience in the screen industry, culminating in her debut feature Crushed. Crushed screened at festivals around the world including Montreal World Film Festival, Miami International Film Festival and Napa Valley Film Festival before completing a successful limited theatrical release in Australia and acquisitions by Channel 10 and Qantas. She combines her filmmaking with her role as co-founder of Women in Film & Television Australia where she is a vocal advocate for women in the screen industries. In 2017, Megan launched Hemlock & Cedar Films, a production company that merges these two fields of advocacy and creativity by focusing on female-led screen content. The Australian women’s horror anthology Dark Whispers Vol. 1, is the first project to be launched under the company, screening at festivals in Australia, including Cinefest Oz, Monsterfest and ScreenWave Film Festival as well as international screenings at the upcoming Cinequest Film & Creativity Festival and Final Girls Berlin Film Festival in 2020. Megan is also the writer/director of an episode of the online horror series Deadhouse Dark, due for release in 2020. Megan is a graduate of the Australian Film Television & Radio School and has completed the Professional Screenwriters Program at UCLA. She is an innovative, collaborative and driven filmmaker, speaker, teacher and advocate, with an infectious enthusiasm for the art and craft of filmmaking.

Additional information:

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Creator:
2019  Dark Whispers - Volume 1

Director:
2010  The Eye of The Beholder
2011  50-50
2011  Making Tracks
2012  The Shed
2013  Blue Bird
2015  Crushed
2019  Dark Whispers - Volume 1

Producer:
2010  The Eye of The Beholder
2011  50-50
2011  Making Tracks
2012  The Shed
2013  Blue Bird
2015  Crushed
2019  Dark Whispers - Volume 1

Property Master:
2005  Feed
2010  The Eye of The Beholder
2011  50-50
2011  Making Tracks
2012  The Shed
2013  Blue Bird
2015  Crushed
2019  Dark Whispers - Volume 1

Screenplay:
2005  Feed
2010  The Eye of The Beholder
2011  50-50
2011  Making Tracks
2012  The Shed
2013  Blue Bird
2015  Crushed
2019  Dark Whispers - Volume 1

Second Assistant Director:
2005  Feed
2005  Lethal
2010  The Eye of The Beholder
2011  50-50
2011  Making Tracks
2012  The Shed
2013  Blue Bird
2015  Crushed
2019  Dark Whispers - Volume 1

Writer:
2005  Feed
2005  Lethal
2010  The Eye of The Beholder
2011  50-50
2011  Making Tracks
2012  The Shed
2013  Blue Bird
2015  Crushed
2019  Dark Whispers - Volume 1

Director:
2021  Deadhouse Dark

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.