A work in constant progress (and occasional regress).
Birthplace:
Langon, France
Born:
March 10, 1954
Maryse Alberti (born 10 March 1954) is a French cinematographer who mainly works in the United States on independent fiction films and vérité, observational documentaries. Alberti has won awards from the Sundance Film Festival and the Spirit Awards. She was the first contemporary female cinematographer featured on the cover of American Cinematographer for her work on the Todd Haynes-directed Velvet Goldmine (1998).
Assistant Camera:
1982 Vortex
Camera Operator:
1982 Vortex
1996 Zero Budget
2001 Tape
Director of Photography:
1982 Vortex
1991 Poison
1991 The Golden Boat
1992 Confessions of a Suburban Girl
1992 Incident at Oglala
1992 Zebrahead
1993 Deadfall
1993 Dottie Gets Spanked
1993 Mob Stories
1993 The Dutch Master
1994 Crumb
1994 Moving the Mountain
1995 Harlem Diary: Nine Voices of Resilience
1996 Dear Diary
1996 I Love You, I Love You Not
1996 Tales of Erotica
1996 When We Were Kings
1996 Zero Budget
1997 Stag
1998 Happiness
1998 Velvet Goldmine
2000 Joe Gould's Secret
2000 Me & Isaac Newton
2000 Twilight: Los Angeles
2001 Get Over It
2001 Tape
2002 The Guys
2004 We Don't Live Here Anymore
2005 A Rape in a Small Town: The Florence Holway Story
2006 The Human Behavior Experiments
2007 Taxi to the Dark Side
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2008 The Onion Movie
2008 The Wrestler
2010 Casino Jack and the United States of Money
2010 Client 9: The Rise and Fall of Eliot Spitzer
2010 My Trip to Al-Qaeda
2010 Stone
2011 Apache 8
2012 West of Memphis
2013 Love, Marilyn
2013 The Armstrong Lie
2013 We Steal Secrets: The Story of WikiLeaks
2014 Bending the Light
2014 Fields of Fear
2014 Finding Fela
2014 John Leguizamo: Ghetto Klown
2014 Mr. Dynamite: The Rise of James Brown
2015 Creed
2015 Freeheld
2015 The Visit
2016 Collateral Beauty
2018 Chappaquiddick
2018 My Dinner with Hervé
2019 The Kitchen
2020 Hillbilly Elegy
2021 A Journal for Jordan
2022 Jerry & Marge Go Large
2023 The Burial
Director of Photography:
1998 Sex and the City
2022 Inventing Anna
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.