Maryse Alberti (b. 1954)

Birthplace:
Langon, France

Born:
March 10, 1954

Maryse Alberti (born 10 March 1954) is a French cinematographer who mainly works in the United States on independent fiction films and vérité, observational documentaries. Alberti has won awards from the Sundance Film Festival and the Spirit Awards. She was the first contemporary female cinematographer featured on the cover of American Cinematographer for her work on the Todd Haynes-directed Velvet Goldmine (1998).

Additional information:

The Search Form


Assistant Camera:
1982  Vortex

Camera Operator:
1982  Vortex
1996  Zero Budget
2001  Tape

Director of Photography:
1982  Vortex
1991  Poison
1991  The Golden Boat
1992  Confessions of a Suburban Girl
1992  Incident at Oglala
1992  Zebrahead
1993  Deadfall
1993  Dottie Gets Spanked
1993  Mob Stories
1993  The Dutch Master
1994  Crumb
1994  Moving the Mountain
1995  Harlem Diary: Nine Voices of Resilience
1996  Dear Diary
1996  I Love You, I Love You Not
1996  Tales of Erotica
1996  When We Were Kings
1996  Zero Budget
1997  Stag
1998  Happiness
1998  Velvet Goldmine
2000  Joe Gould's Secret
2000  Me & Isaac Newton
2000  Twilight: Los Angeles
2001  Get Over It
2001  Tape
2002  The Guys
2004  We Don't Live Here Anymore
2005  A Rape in a Small Town: The Florence Holway Story
2006  The Human Behavior Experiments
2007  Taxi to the Dark Side
2008  Gonzo: The Life and Work of Dr. Hunter S. Thompson
2008  The Onion Movie
2008  The Wrestler
2010  Casino Jack and the United States of Money
2010  Client 9: The Rise and Fall of Eliot Spitzer
2010  My Trip to Al-Qaeda
2010  Stone
2011  Apache 8
2012  West of Memphis
2013  Love, Marilyn
2013  The Armstrong Lie
2013  We Steal Secrets: The Story of WikiLeaks
2014  Bending the Light
2014  Fields of Fear
2014  Finding Fela
2014  John Leguizamo: Ghetto Klown
2014  Mr. Dynamite: The Rise of James Brown
2015  Creed
2015  Freeheld
2015  The Visit
2016  Collateral Beauty
2018  Chappaquiddick
2018  My Dinner with Hervé
2019  The Kitchen
2020  Hillbilly Elegy
2021  A Journal for Jordan
2022  Jerry & Marge Go Large
2023  The Burial

Director of Photography:
1998  Sex and the City
2022  Inventing Anna

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.