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Carol Hemming

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Film Production

Hair Department Head:
1992  Howards End
1993  The Remains of the Day

Hair Designer:
1992  Howards End
1993  The Remains of the Day
1994  Mary Shelley's Frankenstein
2005  The White Countess
2009  The City of Your Final Destination
2015  Cinderella
2015  Suffragette

Hairdresser:
1980  Hussy
1983  The Return of the Soldier
1987  Maurice
1992  Howards End
1993  The Remains of the Day
1994  Mary Shelley's Frankenstein
2005  The White Countess
2009  The City of Your Final Destination
2015  Cinderella
2015  Suffragette

Hairstylist:
1980  Hussy
1982  The Roaring Forties
1983  Heat and Dust
1983  The Return of the Soldier
1986  A Room with a View
1986  Castaway
1987  Maurice
1992  Howards End
1993  The Remains of the Day
1994  Mary Shelley's Frankenstein
2001  Just Visiting
2005  The White Countess
2007  I Could Never Be Your Woman
2007  Stardust
2009  The City of Your Final Destination
2013  Burton and Taylor
2015  Cinderella
2015  Suffragette
2020  Enola Holmes

Makeup Artist:
1980  Hussy
1982  The Roaring Forties
1983  Heat and Dust
1983  The Return of the Soldier
1986  A Room with a View
1986  Castaway
1987  Maurice
1992  Howards End
1993  The Remains of the Day
1994  Mary Shelley's Frankenstein
2001  Just Visiting
2005  The White Countess
2007  I Could Never Be Your Woman
2007  Stardust
2009  The City of Your Final Destination
2013  Burton and Taylor
2015  Cinderella
2015  Suffragette
2020  Enola Holmes

Makeup Designer:
1980  Hussy
1982  The Roaring Forties
1983  Heat and Dust
1983  The Return of the Soldier
1986  A Room with a View
1986  Castaway
1987  Maurice
1992  Howards End
1993  The Remains of the Day
1994  Mary Shelley's Frankenstein
2001  Just Visiting
2005  The White Countess
2007  I Could Never Be Your Woman
2007  Stardust
2009  The City of Your Final Destination
2013  Burton and Taylor
2014  Jack Ryan: Shadow Recruit
2015  Cinderella
2015  Suffragette
2017  Murder on the Orient Express
2020  Enola Holmes

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.