Tom Southwell

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Art Direction:
1987  Made in U.S.A.
1998  Mighty Joe Young

Concept Artist:
1987  Made in U.S.A.
1994  Drop Zone
1995  Congo
1998  Mighty Joe Young
2002  Star Trek: Nemesis

Production Design:
1987  Made in U.S.A.
1994  Drop Zone
1995  Congo
1998  Black Cat Run
1998  Mighty Joe Young
2002  Star Trek: Nemesis
2002  The Salton Sea
2004  Taking Lives
2005  Two for the Money
2007  Disturbia
2011  I Am Number Four
2012  Freaky Deaky
2016  The Disappointments Room

Production Illustrator:
1982  Blade Runner
1984  The Adventures of Buckaroo Banzai Across the 8th Dimension
1985  The Man with One Red Shoe
1987  Made in U.S.A.
1994  Drop Zone
1995  Congo
1996  Eraser
1998  Black Cat Run
1998  Mighty Joe Young
2002  Star Trek: Nemesis
2002  The Salton Sea
2004  Taking Lives
2005  Two for the Money
2007  Disturbia
2011  I Am Number Four
2012  Freaky Deaky
2016  The Disappointments Room

Storyboard Artist:
1982  Blade Runner
1984  The Adventures of Buckaroo Banzai Across the 8th Dimension
1985  The Man with One Red Shoe
1987  Made in U.S.A.
1991  City Slickers
1994  Drop Zone
1995  Congo
1996  Eraser
1998  Black Cat Run
1998  Mighty Joe Young
2002  Star Trek: Nemesis
2002  The Adventures of Pluto Nash
2002  The Salton Sea
2004  Taking Lives
2005  Two for the Money
2007  Disturbia
2011  I Am Number Four
2012  Freaky Deaky
2016  The Disappointments Room

Visual Effects Art Director:
1982  Blade Runner
1984  The Adventures of Buckaroo Banzai Across the 8th Dimension
1985  The Man with One Red Shoe
1987  Made in U.S.A.
1991  City Slickers
1994  Drop Zone
1995  Congo
1996  Eraser
1996  Executive Decision
1998  Black Cat Run
1998  Mighty Joe Young
2002  Star Trek: Nemesis
2002  The Adventures of Pluto Nash
2002  The Salton Sea
2004  Taking Lives
2005  Two for the Money
2007  Disturbia
2011  I Am Number Four
2012  Freaky Deaky
2016  The Disappointments Room

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.