A work in constant progress (and occasional regress).
Premiere:
October 5, 2021
# of Seasons: 1
# of Episodes: 25
Finale:
June 28, 2022
Original Title:
境界戦機
Alternate Titles:
Biên Giới Chiến Ký
Cảnh Giới Chiến Cơ
Kyoukai Senki
Kyōkai Senki
War Machines on the Borderline
境界戰機第二部
Genres:
Animation | Sci-Fi & Fantasy
Production Companies:
SUNRISE BEYOND
Countries:
JP
In 2061, Japan is under a state of occupation by multiple states. The world, including Japan, has been consolidated under the rule of four trade blocs. The entire archipelago is now the frontline of conflict. The Japanese people live under a state of constant occupation and oppression, with humanoid war machines called AMAIM patrolling its streets. A young introverted boy named Amō Shiiba has a chance meeting with the autonomous AI Gai, and his acquisition of the AMAIM Kenbu begins a story that will see him attempting to take back Japan. Gashin Tezuka is a reticent and frank 16-year-old member of the Japanese resistance who pilots the AMAIM Ghost to avenge his father.
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Art Designer:
Nariyuki Ogi
Art Direction:
Norifumi Nakamura
Assistant Editor:
Nami Niinuma
Associate Producer:
Rei Marumo
Tomoyuki Ohwada
Yuichi Tada
Hirotake Taguchi
Shota Iida
Manabu Kimura
Character Designer:
Kenichi Ohnuki
Color Designer:
Akiko Inoue
Director:
Nobuyoshi Habara
Director of Photography:
Yousuke Motoki
Editor:
Emi Onodera
Executive Producer:
Yukio Haruyama
Masakazu Ogawa
Foley Artist:
Masafumi Watanabe
Lead Animator:
Hiroshi Arisawa
Shinya Kusumegi
Mechanical Designer:
Kanetake Ebikawa
Kenji Teraoka
Ippei Gyobu
Yuya Koyanagi
Music Producer:
Manabu Kuroda
Kenichiro Kimura
Original Music Composer:
Rasmus Faber
Producer:
Yoshikazu Beniya
Katsuya Tasaki
Hiroki Komatsu
Series Composition:
Noboru Kimura
Series Director:
Nobuyoshi Habara
Sound Director:
Jin Aketagawa
Sound Effects:
Rei Ueno
Sound Recordist:
Nobuhiro Negishi
Theme Song Performance:
Blank Paper
Yuuna Fukinbara
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.