A work in constant progress (and occasional regress).
Alias:
Tsutomu Ueno
上野 励
Birthplace:
Uji, Kyoto, Japan
Rei Ueno (上野 励, Ueno Rei, born 1982) is a sound effects engineer. He founded Sound Compass in April 2017 and is still a member. Formerly, he belonged to Swara Production.
Sound Effects:
2014 Tsubasa and Hotaru
2015 The Labyrinth of Grisaia
2019 Her Blue Sky
2020 Fate/Grand Order the Movie: Divine Realm of the Round Table: Camelot Wandering; Agateram
2021 Fate/Grand Order the Movie: Divine Realm Of The Round Table: Camelot Paladin; Agateram
2021 Kud Wafter
2021 The Journey
2021 Words Bubble Up Like Soda Pop
2022 Goodbye, Don Glees!
2023 maboroshi
2025 COLORFUL STAGE! The Movie: A Miku Who Can't Sing
2025 Make a Girl
Sound Effects:
2013 Gaist Crusher
2014 Atelier Escha & Logy: Alchemists of the Dusk Sky
2017 Kino's Journey: The Beautiful World - The Animated Series
2017 WorldEnd: What are you doing at the end of the world? Are you busy? Will you save us?
2018 A Place Further Than the Universe
2018 Bloom Into You
2018 Cells at Work!
2019 If It's for My Daughter, I'd Even Defeat a Demon Lord
2019 Lord El-Melloi II's Case Files {Rail Zeppelin} Grace note
2020 Monster Girl Doctor
2020 TONIKAWA: Over the Moon for You
2021 AMAIM Warrior at the Borderline
2021 Bottom-Tier Character Tomozaki
2021 CARDFIGHT!! VANGUARD
2021 Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway
2021 Horimiya
2021 Kiyo in Kyoto: From the Maiko House
2021 Mushoku Tensei: Jobless Reincarnation
2021 Vivy: Fluorite Eye's Song
2022 BLUE LOCK
2022 Fanfare of Adolescence
2022 Fuuto PI
2022 Lycoris Recoil
2022 Mobile Suit Gundam: The Witch from Mercury
2022 The Eminence in Shadow
2022 Uncle from Another World
2023 Horimiya: The Missing Pieces
2023 OVERTAKE!
2024 WIND BREAKER
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.