A work in constant progress (and occasional regress).
Premiere:
May 15, 2020
# of Seasons: 2
# of Episodes: 17
Finale:
January 17, 2025
Creators:
Sudip Sharma
Original Title:
पाताल लोक
Alternate Titles:
Paataal Lok
Pataal Lok
Genres:
Crime | Drama
Production Companies:
Clean Slate Films
Eunoia Films
Countries:
IN
A down and out cop lands the case of a lifetime when four suspects are nabbed in the assassination attempt of a prime time journalist. The case turns out to be a devious maze where nothing is what it looks like. The pursuit of it leads him to the dark netherworld - the 'Paatal Lok', and to shocking discoveries in the past of the four suspects.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Accountant:
Anupam Kanojiya
Action Director:
Amritpal Singh
Art Direction:
Yogesh Bansode
Assistant Art Director:
Karan Divecha
Assistant Dialogue Editor:
Pallab Protim Sarmah
Assistant Editor:
Rythem Lath
Associate Editor:
Saquib Khan
Boom Operator:
Baban Waghe
Carpenter:
Ram Ishwar Mandal
Suresh Yadav
Casting Director:
Nikita Grover
Co-Producer:
Manoj Mittra
Saurabh Malhotra
Colorist:
Prithvi Buddhavarapu
Concept Artist:
Pavan Kumar
Costume Assistant:
Sayali Soman
Pragati Sawant
Veena Papan
Costume Designer:
Shruti Kapoor
Dialogue Editor:
Shantanu Yennemadi
Director:
Avinash Arun
Director of Photography:
Avinash Arun
Dresser:
Sunil Pal
Awdesh Kumar
Drone Operator:
Ashish Singh
Editor:
Sanyukta Kaza
Electrician:
Lolarakh Yadav
Mohd. Kaif
Executive Producer:
Babita Ashiwal
Karnesh Sharma
Sudip Sharma
First Assistant Camera:
Vanshika Singh
First Assistant Director:
Shishir Admane
Focus Puller:
Pankaj Gupta
Dheeraj Singh
Mallikarjuna Nayak
Foley Artist:
Karan Arjun Singh
Anil Pawar
Harish Nath
Foley Editor:
Sujit Lohar
Foley Recording Engineer:
Ram Kishan Nath
Foley Supervisor:
Karan Arjun Singh
Graphic Designer:
Mohammad Anwar
Hairstylist:
Raissa Aranha
Ambadas Jadhav
Aliza Tavares
Head of Production:
Navin Venkatesh
Line Producer:
Tanisha Arora
Location Coordinator:
Mengu Suokhrie
Khrelie Nakhro
Salim Khan
Makeup & Hair:
Shashank Desai
Makeup Artist:
Zabiullah Shaikh
Shoeb Khan
Music:
Benedict Taylor
Naren Chandavarkar
Painter:
Narayan Mahto
Post Producer:
Shilpan Veena Vyas
Azaz Memon
Post Production Coordinator:
Manas Jain
Post Production Supervisor:
Shubham Tripathi
Producer:
Karnesh Sharma
Production Assistant:
Anil Dubey
Deepu Prasad
Rohit Chetri
Subhradip Shil
Production Controller:
Chaitali Banerjee
Bablu Banerjee
Manishh Mehra
Mahesh Mali
Sumit Sharma
Production Design:
Mukund Gupta
Production Manager:
Anukul Shukla
Prosthetic Designer:
Shashank Desai
Researcher:
Aayushi Sachdeva
Script Supervisor:
Shreya Sharma
Second Assistant Camera:
Uday Vijay Baviskar
Second Assistant Director:
Anshul Taneja
Aditya Thakre
Second Second Assistant Director:
Neesba Khan
Second Unit Director of Photography:
Eeshan Vilas Kaushal
Senior Colorist:
Sidharth Meer
Set Decoration:
Raveena Singh
Ria Gureja
Set Dresser:
Archita Narula
Priyanshi Agrawal
Niharika Mavuri
Sound Designer:
Vinit D'Souza
Sound Effects Editor:
Amarjit Barman
Pragyan Gogoi
Sound Engineer:
Madhav Patil
Sound Re-Recording Mixer:
Rahul Karpe
Boloy Kumar Doloi
Sound Recordist:
Gaurav Kumar Singh
Vineet Vashishtha
Special Effects:
Subir Bhattacharya
Steadicam Operator:
Irfan Shaikh
Kishor Jadhav
Stunt Double:
Rajesh Kumar
Sukhvinder Singh
Supervising Producer:
Ankit Malik
Supervising Sound Editor:
Jithin Jose
Vinit D'Souza
Third Assistant Camera:
Afzal Adeeb Khan
Third Assistant Director:
Krishna Yadav
Manoj Yadav
VFX Production Coordinator:
Sundar Raman
Preethii Jayamohan
Vishal Rajasekharan
VFX Supervisor:
Vinay Chupal
Ashoke Chowdhury
Neel Trivedi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.