A work in constant progress (and occasional regress).
Co-Producer:
2025 Cactus Pears
2025 Shadowbox
Color Designer:
2017 Trapped
2025 Cactus Pears
2025 Shadowbox
Colorist:
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
Digital Imaging Technician:
2013 Bombay Talkies
2015 Masaan
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
Digital Intermediate Colorist:
2013 Bombay Talkies
2015 Masaan
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2021 Sherni
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
Director of Photography:
2003 Right Here, Right Now
2013 Bombay Talkies
2015 Masaan
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2021 Sherni
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
Executive Producer:
2003 Right Here, Right Now
2013 Bombay Talkies
2015 Masaan
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2021 Sherni
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
???? Blind Spot
???? Unlocked
Post-Production Manager:
2003 Right Here, Right Now
2012 Ship of Theseus
2013 Bombay Talkies
2015 Masaan
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2021 Sherni
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
???? Blind Spot
???? Unlocked
Visual Effects Supervisor:
2003 Right Here, Right Now
2006 Continuum
2012 Ship of Theseus
2013 Bombay Talkies
2015 Masaan
2016 Time Machine
2017 Trapped
2018 Bhavesh Joshi Superhero
2018 Counterfeit Kunkoo
2018 Jonaki
2019 Awake
2019 Bitter Chestnut
2019 Photograph
2019 The Booth
2019 The Red Phallus
2019 Yours Truly
2020 Five Pebbles
2021 Sherni
2022 Badhaai Do
2023 A Match
2023 And, Towards Happy Alleys
2023 Fursat
2023 Under the Waters
2023 While We Watched
2024 CTRL
2024 Crossing Borders
2024 Saba
2024 Ulajh
2025 Cactus Pears
2025 Shadowbox
???? Blind Spot
???? Unlocked
Colorist:
2021 Navarasa
2025 The Greatest Rivalry: India vs Pakistan
Senior Colorist:
2020 Paatal Lok
2021 Navarasa
2025 The Greatest Rivalry: India vs Pakistan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.