A work in constant progress (and occasional regress).
Assistant Camera:
2011 What Fun We Were Having: 4 Stories About Date Rape
Camera Operator:
2007 Patton Oswalt: Werewolves and Lollipops
2011 What Fun We Were Having: 4 Stories About Date Rape
2019 Sword of Trust
Cinematography:
2007 Patton Oswalt: Werewolves and Lollipops
2011 What Fun We Were Having: 4 Stories About Date Rape
2019 Sword of Trust
2020 The Racial Politics of Abortion
2020 Whitmer Thomas: The Golden One
2022 Cirque du Soleil: Without a Net
2022 The Third Saturday in October
2022 The Third Saturday in October: Part V
Digital Imaging Technician:
2007 Patton Oswalt: Werewolves and Lollipops
2011 What Fun We Were Having: 4 Stories About Date Rape
2019 Sword of Trust
2019 The Death of Dick Long
2020 The Racial Politics of Abortion
2020 Whitmer Thomas: The Golden One
2022 Cirque du Soleil: Without a Net
2022 The Third Saturday in October
2022 The Third Saturday in October: Part V
Director of Photography:
2004 The Little One
2005 The Girlfriend
2007 Patton Oswalt: Werewolves and Lollipops
2010 A Horrible Way to Die
2011 What Fun We Were Having: 4 Stories About Date Rape
2013 The ABCs of Death
2016 Trapped
2017 American Guinea Pig: The Song of Solomon
2019 Sword of Trust
2019 The Death of Dick Long
2020 The Racial Politics of Abortion
2020 Whitmer Thomas: The Golden One
2022 Cirque du Soleil: Without a Net
2022 The Third Saturday in October
2022 The Third Saturday in October: Part V
First Assistant Camera:
2004 The Little One
2005 The Girlfriend
2007 Patton Oswalt: Werewolves and Lollipops
2010 A Horrible Way to Die
2011 What Fun We Were Having: 4 Stories About Date Rape
2013 The ABCs of Death
2016 Trapped
2017 American Guinea Pig: The Song of Solomon
2019 Sword of Trust
2019 The Death of Dick Long
2020 The Immortal Jellyfish
2020 The Racial Politics of Abortion
2020 Whitmer Thomas: The Golden One
2022 Cirque du Soleil: Without a Net
2022 The Third Saturday in October
2022 The Third Saturday in October: Part V
Lighting Technician:
2004 The Little One
2005 The Girlfriend
2007 Patton Oswalt: Werewolves and Lollipops
2010 A Horrible Way to Die
2011 Autoerotic
2011 What Fun We Were Having: 4 Stories About Date Rape
2013 The ABCs of Death
2016 Trapped
2017 American Guinea Pig: The Song of Solomon
2019 Sword of Trust
2019 The Death of Dick Long
2020 The Immortal Jellyfish
2020 The Racial Politics of Abortion
2020 Whitmer Thomas: The Golden One
2022 Cirque du Soleil: Without a Net
2022 The Third Saturday in October
2022 The Third Saturday in October: Part V
Second Assistant Camera:
2004 The Little One
2005 The Girlfriend
2007 Patton Oswalt: Werewolves and Lollipops
2010 A Horrible Way to Die
2011 Autoerotic
2011 What Fun We Were Having: 4 Stories About Date Rape
2013 The ABCs of Death
2016 Trapped
2017 American Guinea Pig: The Song of Solomon
2019 Sword of Trust
2019 The Death of Dick Long
2020 The Immortal Jellyfish
2020 The Racial Politics of Abortion
2020 Whitmer Thomas: The Golden One
2022 Cirque du Soleil: Without a Net
2022 The Third Saturday in October
2022 The Third Saturday in October: Part V
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.