A work in constant progress (and occasional regress).
Release Date:
July 12, 2019
Original Title:
Sword of Trust
Genres:
Comedy
Production Companies:
Forager Film
Production Countries:
United States of America
Ratings / Certifications:
AU: M US: R
Runtime: 89
When Cynthia and Mary show up to collect Cynthia's inheritance from her deceased grandfather, the only item she's received is an antique sword that he believed to be proof that the South won the Civil War.
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Assistant Editor:
Josh Climo
Israel Vasquez
Associate Producer:
Virginia Newcomb
Best Boy Electric:
Adolph Steele
Best Boy Grip:
Andy Allmendinger
Boom Operator:
Chris Burns
Camera Operator:
Chris Hilleke
Co-Executive Producer:
Stacey Davis
Colorist:
Aaron Peak
Costume Design:
Tora Eff
Digital Intermediate:
Aaron Peak
Director:
Lynn Shelton
Director of Photography:
Jason Oldak
Driver:
Mike Napier
Editor:
Tyler L. Cook
Executive Producer:
Peter Gilbert
Edwin Linker
Joe Swanberg
First Assistant Camera:
Haley Watson
June Zandona
First Assistant Director:
Drew Langer
Foley Artist:
Karen Howe
Gaffer:
Armando Ballesteros
Grip:
Chris Scott
Key Costumer:
Alesha Mitchell
Key Grip:
Patrick Durkin
Line Producer:
Molly M. Mayeux
Location Manager:
Chris Olney
Location Scout:
Greg Womble
Makeup Artist:
Laura Eason
Makeup Department Head:
Somica Spratley
Music:
Marc Maron
Producer:
Lynn Shelton
Ted Speaker
Producer's Assistant:
Tasha McCrory
Production Assistant:
David Pendras
Production Coordinator:
Troy Wythe Candor
Production Design:
John Lavin
Publicist:
Adam Kersh
Rotoscoping Artist:
Alan Collins
Script Supervisor:
Danny Cooper
Second Assistant Camera:
Jay Galloway
Second Assistant Director:
Emily A. Neumann
Set Decoration:
Prissy Lee
Set Dresser:
Hannah Riley
Sound Mixer:
Jeremy Burns
Sound Re-Recording Mixer:
Dave Howe
Transportation Coordinator:
Greg Womble
Visual Effects:
Joseph Walker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.