A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Mexico
Born:
January 13, 1980
Adriana Paz (born January 13, 1980) is a Mexican actress and dancer. She began her artistic career in Spain, shooting commercials and acting in a play. She was recognized for her role as Toña in the Mexican film Rudo y Cursi(2009) with a nomination for the Ariel Award for Best Supporting Actress. She garnered critical praise starring as Miranda in Las Horas Muertas (2013), for which she was awarded Best Actress at the Morelia International Film Festival. She subsequently starred in the TV series Sucedió en Un Día (2010), Capadocia (2010), El Encanto del Aguila (2011), Dios, Inc. (2016), and Vis a vis (2018–2019). Paz is also featured in other films, including Todos los Besos (2007), Backyard: El Traspatio (2009), Not Forgotten (2009), Un Mexicano Más (2009), El Mar Muerto (2010), 4 Maras (2012), Morelos (2012), Elysium (2013), Spectre, and Las Aparicio (2015). For her lead performance in the drama La Tirisia (2014), she received the Ariel Award for Best Actress and for the films Hilda (2015) and La Caridad (2016), she won two consecutive Ariel Awards for Best Supporting Actress. In 2017, her performance in El Autor earned her a nomination for the Goya Award for Best New Actress. For her role in Emilia Pérez, Paz was recognized with the Cannes Film Festival Award for Best Actress in 2024. Description above from the Wikipedia article Adriana Paz, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.