A work in constant progress (and occasional regress).
Release Date:
August 21, 2024
Original Title:
Emilia Pérez
Alternate Titles:
EMILIA PÉREZ
En busca de Emilia Pérez
Էմիլիա Պերեզ
毒王女人夢
璀璨女人夢
艾米莉亚·佩雷斯
Genres:
Drama | Thriller
Production Companies:
Casa Kafka Pictures
France 2 Cinéma
Les Films du Fleuve
Library Pictures International
Logical Content Ventures
Page 114
Pathé
Pimienta Films
Saint Laurent
Saint Laurent Productions
The Veterans
Vixens
Why Not Productions
Production Countries:
Belgium | France | Mexico | United States of America
Ratings / Certifications:
AR: +13 AU: MA 15+ BR: 16 CA: R CL: 14 CZ: 15+ DE: 12 ES: 16 FR: TP GB: 15 HK: IIB HU: 18 ID: 17+|21+ IE: 15 KR: 15 LT: N-13 MX: B-15 NL: 12 NO: 15 PR: R SE: 15 SK: 15 TH: 15 US: R VI: R
Runtime: 132
Rita, an underrated lawyer working for a large law firm more interested in getting criminals out of jail than bringing them to justice, is hired by the leader of a criminal organization.
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ADR Mixer:
Matthieu Tertois
ADR Supervisor:
Maria Carolina Santana Caraballo-Gramcko
Frédérique Liébaut
Aerial Director of Photography:
Barnard Steele
Armorer:
Léopold Pasquet
Art Direction:
Virginie Montel
Assistant Art Director:
Anne-Sophie Delaunay
Francesca Motte
Assistant Costume Designer:
Thomas Fishelson
Assistant Director:
Sara Gutiérrez Galve
Julien Dara
Jean-Baptiste Pouilloux
Assistant Editor:
Julie Trillo
Victor Eberlé
Lionel Cassan
Assistant Hairstylist:
Virgine Seffar
Assistant Music Supervisor:
Laureen Arnou-Sanchez
Assistant Production Design:
Eve Repaux
Boom Operator:
Thomas François
Camera Operator:
Sacha Naceri
Camera Technician:
Max Ortega
Carpenter:
Sébastien Chauvat
Casting:
Carla Hool
Christel Baras
Casting Assistant:
Shoreh Belfond
Chloé Arramon
Casting Associate:
Susan Putnam
Choreographer:
Damien Jalet
Colorist:
Arthur Paux
Compositing Supervisor:
Piotr Smorawski
Construction Buyer:
Nicolas Doerler
Costume Design:
Virginie Montel
Ariane Daurat
Dialect Coach:
Ortos Soyuz
Dialogue Editor:
Hortense Bailly
Digital Imaging Technician:
Julien Bachelier
Director:
Jacques Audiard
Director of Photography:
Paul Guilhaume
Drone Operator:
Elliott Carrasco
Brice Tholozan
Drone Pilot:
Benjamin Lavayssière
Editor:
Juliette Welfling
Electrician:
Aurélien Henry
Remy Duplaix
Alice Bencteux
Mathilde Bory
Martin Chanvillard
Michael Jean Bretones
Simon Chanvillard
Aurèle Mazi Jacquesson
Arthur Benoist
Executive In Charge Of Post Production:
Nancy Valle
Executive In Charge Of Production:
Perla Carpio
Executive Producer:
Gary Farkas
Jeremy Levinson
Roeg Sutherland
David Taghioff
Nicolás Celis
Vincent Maraval
Extras Casting Assistant:
Ledys Salcedo Bustamante
First Assistant Camera:
Marine Goujet
Noé Muñoz
First Assistant Director:
Arturo García
Mikaël Gaudin
First Assistant Editor:
Charlotte Audureau
Mathilde Bernet
Foley Artist:
Grégory Vincent
Foley Editor:
Antoine Swertvaegher
Gaffer:
Thomas Garreau
Graphic Designer:
Adrienne Romeuf
Grip:
Maxime Boisbeaux
Quentin Chevreau
Hair Department Head:
Romain Marietti
In Memory Of:
Hengameh Panahi
Key Grip:
Gaston Grandin
Key Hair Stylist:
Emmanuel Janvier
Céline Vh
Jane Brizard
Delphine Giraud
Key Makeup Artist:
Roxane Bruneton
Lighting Technician:
Julien Peyrache
Line Producer:
Pauline Lamy
Location Assistant:
Jules Charpentier
Anton Chiche
Meave Dumoucel
Cécile Franques
Diane Jeanné
Stéphanie Lapiney
Pierre Lecalot
Charles Moreau-Boiteau
Angélique Nya
Cyrianne Oumoussa
Thibault Pigasse
Aurélien Pochat-Cotilloux
Elie Querleux
Lise Dior Rey
Lisa Spanevello
Location Manager:
Jean-François Voisin
Location Scout:
Frédéric Lebugle
Makeup Artist:
Rosalba Delfin
Clémentine Douel
Makeup Department Head:
Julia Floch-Carbonel
Simon Livet
Music Editor:
Matthieu Lefevre
Music Supervisor:
Pierre-Marie Dru
Raphaëlle Dannus
Novel:
Boris Razon
Original Music Composer:
Clément Ducol
Camille
Painter:
Marion Didier
Post Production Supervisor:
Eugénie Deplus
Producer:
Valérie Schermann
Pascal Caucheteux
Jacques Audiard
Anthony Vaccarello
Production Design:
Emmanuelle Duplay
Production Sound Mixer:
Erwan Kerzanet
Property Buyer:
Eurydice Tritsibidas
Property Master:
Romain Schandeler
Researcher:
Barbara Schölnberger
Rigging Gaffer:
Hugo Devèze
Scenario Writer:
Thomas Bidegain
Screenplay:
Léa Mysius
Nicolas Livecchi
Script Supervisor:
Christelle Meaux
Second Assistant Camera:
Noé Tonatiuh Muñoz García
Second Assistant Director:
Vals Ortiz
Juliette Picollot
Second Second Assistant Director:
Rodrigo Berlanga
Second Unit Director:
Jean-Baptiste Pouilloux
Set Costumer:
Johanna Buschmann
Set Decoration:
Cécile Deleu
Sandra Castello
Sandrine Jarron
Set Designer:
Emmanuelle Duplay
Songs:
Camille
Clément Ducol
Jacques Audiard
Sound Assistant:
Lou Jullien
Matthieu Perrot
Sound Engineer:
Maria Carolina Santana Caraballo-Gramcko
Sound Re-Recording Mixer:
Niels Barletta
Cyril Holtz
Sound Supervisor:
Cyril Holtz
Special Effects Makeup Artist:
Jean-Christophe Spadaccini
Denis Gastou
Still Photographer:
Shanna Besson
Storyboard Artist:
Eric Gandois
Stunt Coordinator:
Yves Girard
Stunt Double:
Estelle Darnault
Stunt Driver:
Michel Benoit
Pascal Breton
Stéphane Chenot
Gérard Colasuonno
Jean-Jacques Domingues
Jean-Paul Domingues
Lucas Kalmès
Frank Marrs
Damien Legros
David Masse
Pascal Mercuri
Jean-Michel Mièle
Didier Pannissi
Stunts:
Amedéo Cazzella
Alexandre Levand
Raimundo Querido
Vibol-Joseph Sok
Supervising Music Editor:
Maxence Dussère
Supervising Sound Editor:
Aymeric Devoldère
Third Assistant Director:
Lucas Baily
Video Assist Operator:
Céline Deniard
Visual Effects Supervisor:
Cédric Fayolle
Vocal Coach:
Lucile Chriqui
Weapons Master:
Marc Lemeslier
Writer:
Jacques Audiard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.