A work in constant progress (and occasional regress).
Birthplace:
Liverpool, England, UK
Born:
November 10, 1945
Died:
October 7, 2023
Terence Davies (10 November 1945 — 7 October 2023) was an English writer-director and former novelist. As a filmmaker, Davies is noted for his recurring themes of emotional (and sometimes physical) endurance, the influence of memory on everyday life and the potentially crippling effects of dogmatic religiosity on the emotional life of individuals and societies. Stylistically, Davies' works are notable for their symmetrical compositions, "symphonic" structure and measured pace.
Adaptation:
2015 Sunset Song
Director:
1976 Children
1980 Madonna and Child
1983 Death and Transfiguration
1983 The Terence Davies Trilogy
1988 Distant Voices, Still Lives
1992 The Long Day Closes
1995 The Neon Bible
2000 The House of Mirth
2008 Of Time and the City
2011 The Deep Blue Sea
2015 Sunset Song
2016 A Quiet Passion
2021 Benediction
2021 But Why?
2023 Passing Time
???? The Post Office Girl
Screenplay:
1976 Children
1980 Madonna and Child
1983 Death and Transfiguration
1983 The Terence Davies Trilogy
1988 Distant Voices, Still Lives
1992 The Long Day Closes
1995 The Neon Bible
2000 The House of Mirth
2008 Of Time and the City
2011 The Deep Blue Sea
2015 Sunset Song
2016 A Quiet Passion
2021 Benediction
2021 But Why?
2023 Passing Time
???? The Post Office Girl
Writer:
1976 Children
1980 Madonna and Child
1983 Death and Transfiguration
1983 The Terence Davies Trilogy
1988 Distant Voices, Still Lives
1992 The Long Day Closes
1995 The Neon Bible
2000 The House of Mirth
2008 Of Time and the City
2011 The Deep Blue Sea
2015 Sunset Song
2016 A Quiet Passion
2021 Benediction
2021 But Why?
2023 Passing Time
2024 Home! Home!
???? Home! Home!
???? The Post Office Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.