A work in constant progress (and occasional regress).
Release Date:
May 22, 1992
Original Title:
The Long Day Closes
Alternate Titles:
El largo día acaba
긴 하루의 끝
Genres:
Drama
Production Companies:
BFI
Channel Four Films
Film Four International
Production Countries:
United Kingdom
Ratings / Certifications:
AU: PG FI: K-7 FR: TP GB: 12 US: PG
Runtime: 85
Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.
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Additional Construction:
Alan Hausmann
Hugh Doherty
Jim Thompson
Charlie McMillan
Simon Clarkson
Alan Weeks
Peter Cheesman
Terry Thompson
Ronnie Barlow
Albert Grassi
Peter Seater
Additional Photography:
Jeremy Kelly
Chris Plevin
Art Direction:
Kave Quinn
Assistant Art Director:
Tracey Gallacher
Assistant Editor:
Christine Campbell
Associate Producer:
Maureen McCue
Boom Operator:
June Prinz
Camera Operator:
Harriet Cox
Camera Trainee:
Tristam Cones
Carpenter:
Stuart Wood
Casting Assistant:
Marianne Elliott
Casting Director:
Doreen Jones
Clapper Loader:
Jeremy Kelly
Conductor:
David Firman
Construction Manager:
John McMillan
Robin Thistlethwaite
Continuity:
Carol Thompson
Costume Designer:
Monica Howe
Dialogue Editor:
Patrick O'Neill
Director:
Terence Davies
Director of Photography:
Michael Coulter
Dressing Prop:
Stewart Cunningham
Editor:
William Diver
Electrician:
Kevin Edland
Rick Butland
Dennis O'Connell
Dave Tyler
Executive In Charge Of Production:
Angela Topping
Executive Producer:
Ben Gibson
Colin MacCabe
First Assistant Director:
Gus Maclean
First Assistant Editor:
Catherine Creed
Focus Puller:
Chris Plevin
Foley Artist:
Jack Stew
Gaffer:
Terry Edland
Grip:
Gary Romaine
Location Manager:
Andrew MacDonald Brown
Jeff Bowen
Makeup & Hair:
Heather Jones
Aileen Seaton
Music Director:
Robert Lockhart
Music Supervisor:
Bob Last
Other:
Paul Collard
James Norton
Clive Neakes
Ben Pulsford
David Lewis
Sarah Fitzgerald
Kevin Rowe
Jason Kent
Painter:
Bill Meal
Producer:
Olivia Stewart
Production Accountant:
Sheryl Leonardo
Susan Nicholson
Production Assistant:
Dan Zeff
Maxine Howard
Production Coordinator:
Lesley Stewart
Production Design:
Christopher Hobbs
Production Manager:
Chris Harvey
Production Secretary:
Kate Mellor
Property Buyer:
Karen Wakefield
Property Master:
Gordon Fitzgerald
Publicist:
Emma Chapman
Phil Symes
John Battsek
Rigging Supervisor:
David Harrison
Runner Art Department:
Ben Johnson
Mariana Russell
Scenic Artist:
Catherine Goodley
Second Assistant Director:
Tommy Gormley
Sound Editor:
Alex Mackie
Sound Mixer:
Aad Wirtz
Adrian Rhodes
Sound Recordist:
Moya Burns
Standby Carpenter:
Geoff Stainthorp
Standby Property Master:
Piero Jamieson
Pat Harkins
Still Photographer:
Tom Hilton
Thanks:
Margaret Wicks
Third Assistant Director:
David Gilchrist
Transportation Coordinator:
Jim Atkins
Vehicles Wrangler:
Dave Watson
Vocals:
Ruth Davies
Gerard O'Beirne
Isobel Buchanan
Wardrobe Assistant:
Marion Weise
Wardrobe Supervisor:
Patrick Wheatley
Writer:
Terence Davies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.