A work in constant progress (and occasional regress).
Birthplace:
Toronto, Canada
Born:
October 12, 1910
Died:
December 15, 1989
Ben Barzman (October 12, 1910 – December 15, 1989) was a Canadian journalist, screenwriter, and novelist, blacklisted during the McCarthy Era and best known for his screenplays for the films Back to Bataan (1945), El Cid (1961), and The Blue Max (1966). He was born in Toronto, Ontario to a Jewish family. He was the screenwriter or co-writer of more than 20 films, from You're a Lucky Fellow, Mr. Smith (1943) to The Head of Normande St. Onge (1975). Like many of his colleagues in the movie business, Barzman was blacklisted by the House Un-American Activities Committee. His wife, Norma Barzman, was a Communist Party USA member from 1943 to 1949. In 2014, she told the Los Angeles Times, "one should be proud to have been a member of the American Communist Party during those years. Hitler was invading the Soviet Union, so there was no reason to be anti-Russian, they were our allies." The couple moved to England so Barzman could work on the film Give Us This Day (aka, Christ in Concrete, 1949). Following his return to the United States after directing Give Us This Day, Edward Dmytryk, one of the Hollywood Ten, testified about the Barzmans to HUAC in 1951. "To get out of prison he named us and a lot of other people," said Norma Barzman in 2014. In the 1950s, the family moved to Paris, where friends included Pablo Picasso, Yves Montand, and Simone Signoret, and later southern France. Barzman did not receive credit for some films because of the Hollywood Blacklist. His U.S. citizenship was revoked from 1954 to 1963. His wife Norma had her passport revoked from 1951 for seven years. The family remained abroad in London, Paris and Mougins until 1976, during which time he wrote his novels and screenplays for French and Italian films. Barzman died in Santa Monica, California, United States. Surviving him was his wife, Norma Barzman, and seven children (including director Paolo Barzman, screenwriter Aaron Barzman, visual artist Luli Barzman, and French university professor John Barzman) and five grandchildren. Source: Article "Ben Barzman" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Adaptation:
1958 Incognito
Additional Writing:
1952 Young Man with Ideas
1958 Incognito
Screenplay:
1943 You're a Lucky Fellow, Mr. Smith
1945 Back to Bataan
1949 Give Us This Day
1952 Stranger on the Prowl
1952 The Faithful City
1952 Young Man with Ideas
1957 Time Without Pity
1958 Incognito
1959 Blind Date
1961 El Cid
1963 The Ceremony
1964 The Fall of the Roman Empire
1964 The Visit
1965 The Heroes of Telemark
1972 The Assassination
Story:
1943 True to Life
1943 You're a Lucky Fellow, Mr. Smith
1945 Back to Bataan
1946 Never Say Goodbye
1949 Give Us This Day
1952 Stranger on the Prowl
1952 The Faithful City
1952 Young Man with Ideas
1957 Time Without Pity
1958 Incognito
1959 Blind Date
1961 El Cid
1963 The Ceremony
1964 The Fall of the Roman Empire
1964 The Visit
1965 The Heroes of Telemark
1972 The Assassination
Writer:
1943 True to Life
1943 You're a Lucky Fellow, Mr. Smith
1945 Back to Bataan
1946 Never Say Goodbye
1948 The Boy with Green Hair
1949 Give Us This Day
1952 It Happened in Paris
1952 Stranger on the Prowl
1952 The Faithful City
1952 Young Man with Ideas
1955 Oasis
1957 He Who Must Die
1957 Time Without Pity
1958 Incognito
1959 Blind Date
1961 El Cid
1963 The Ceremony
1964 The Fall of the Roman Empire
1964 The Visit
1965 The Heroes of Telemark
1972 The Assassination
1975 Normande
1975 You Are Free, Dr. Korczak
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.