A work in constant progress (and occasional regress).
Release Date:
August 1, 1959
Original Title:
Blind Date
Alternate Titles:
Chance Meeting
L'enquête de l'inspecteur Morgan
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Independent Artists
Paramount Pictures
Sydney Box Productions
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16
Runtime: 95
Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacqueline Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van Rooyer as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened, and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.
Art Direction:
Harry Pottle
Edward Carrick
Assistant Director:
René Dupont
Assistant Editor:
Harry Ledger
Boom Operator:
Geoffrey Kidd
Camera Operator:
Malcolm Cooke
Conductor:
Malcolm Arnold
Continuity:
Susan Dyson
Director:
Joseph Losey
Director of Photography:
Christopher Challis
Draughtsman:
Eric Saw
Editor:
Reginald Mills
First Assistant Editor:
Noreen Best
Hairstylist:
Maude Onslow
Makeup Artist:
Trevor Crole-Rees
Musician:
John Scott
Novel:
Leigh Howard
Original Music Composer:
Richard Rodney Bennett
Producer:
David Deutsch
Luggi Waldleitner
Production Manager:
George Mills
Production Secretary:
Sheila Bagshaw
Property Buyer:
Percy Godbold
Screenplay:
Millard Lampell
Ben Barzman
Second Assistant Director:
Charles Hammond
Sound Editor:
Malcolm Cooke
Sound Recordist:
Len Page
Third Assistant Director:
Gus Angus
Title Designer:
Richard Macdonald
Unit Publicist:
Ruth Lipton
Wardrobe Supervisor:
Vi Murray
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.