A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
September 14, 1911
Died:
September 21, 1968
From Wikipedia, the free encyclopedia Jay Dratler (September 14, 1910- September 25, 1968) was an American screenwriter and novelist. Born in New York City, his mother was from Austria. After attending the University of North Carolina at Chapel Hill in the late 1920s, he studied at the Sorbonne in France and the University of Vienna, becoming fluent in French and German. He returned to the United States in 1932. Cashing in on his exceptional language skills on his return to the United States, he was employed as an editor by a New York publisher and translated the books Goya and Zeppelin from German to English. He moved to Hollywood and become a successful screenwriter and novelist. He wrote six novels, many screenplays and more than twenty television scripts. He was considered very influential during the classic era of film noir in the 1940s. He won both an Academy Award and an Edgar Allan Poe Award for Call Northside 777, and was nominated for an Oscar for his writing on Laura. The 1948 film Pitfall was based on Dratler's novel of the same title. Late in life, Dratler began learning Spanish and became fluent, moving to Mexico City in the sixties. Dratler died of a heart attack at the British-American Hospital in Mexico City in 1968. His body was returned to New York. He was survived by his widow Berenice, a daughter, and a son, Jay Dratler, Jr., who became a professor of law at the University of Akron School of Law, specializing in intellectual property law.
Additional Dialogue:
1949 Dancing in the Dark
Novel:
1948 Pitfall
1949 Dancing in the Dark
Screenplay:
1940 Girls Under 21
1940 La Conga Nights
1941 Meet Boston Blackie
1941 Where Did You Get That Girl?
1942 Get Hep to Love
1942 The Wife Takes a Flyer
1943 Higher and Higher
1944 Laura
1945 It's in the Bag!
1946 The Dark Corner
1948 Call Northside 777
1948 Pitfall
1948 That Wonderful Urge
1949 Dancing in the Dark
Story:
1940 Girls Under 21
1940 La Conga Nights
1941 Confessions of Boston Blackie
1941 Meet Boston Blackie
1941 Where Did You Get That Girl?
1942 Get Hep to Love
1942 The Wife Takes a Flyer
1943 Higher and Higher
1944 Laura
1945 It's in the Bag!
1946 The Dark Corner
1948 Call Northside 777
1948 Pitfall
1948 That Wonderful Urge
1949 Dancing in the Dark
1949 Impact
1952 The Las Vegas Story
1952 We're Not Married!
Writer:
1940 Girls Under 21
1940 La Conga Nights
1941 Confessions of Boston Blackie
1941 Meet Boston Blackie
1941 Where Did You Get That Girl?
1942 Fly By Night
1942 Get Hep to Love
1942 The Wife Takes a Flyer
1943 Higher and Higher
1944 Laura
1945 It's in the Bag!
1946 The Dark Corner
1948 Call Northside 777
1948 Pitfall
1948 That Wonderful Urge
1949 Dancing in the Dark
1949 Impact
1952 The Las Vegas Story
1952 We're Not Married!
1960 I Aim at the Stars
Writer:
1953 Revlon Mirror Theatre
1963 Burke's Law
1964 The Addams Family
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.