A work in constant progress (and occasional regress).
Release Date:
December 2, 1949
Original Title:
Dancing in the Dark
Genres:
Comedy | Romance
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 92
Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.
Adaptation:
Marion Turk
Additional Dialogue:
Jay Dratler
Art Direction:
Lyle R. Wheeler
George W. Davis
Assistant Director:
Henry Weinberger
Camera Operator:
Irving Rosenberg
Choreographer:
Seymour Felix
Costume Design:
Travilla
Director:
Irving Reis
Director of Photography:
Harry Jackson
Editor:
Louis R. Loeffler
Gaffer:
Larry Airhart
Grip:
Bruce Hunsaker
Hairstylist:
Myrtle Ford
Interior Designer:
Joseph C. Wright
Lyricist:
Arthur Schwartz
Howard Dietz
Makeup Artist:
Ben Nye
Bill Riddle
Thomas Tuttle
Music Director:
Alfred Newman
Orchestrator:
Earle Hagen
Herbert W. Spencer
Original Music Composer:
Herbert W. Spencer
Cyril J. Mockridge
Producer:
George Jessel
Production Manager:
Sid Bowen
Max Golden
Screenplay:
Mary C. McCall, Jr.
Script Supervisor:
Jerry Bryan
Set Decoration:
Paul S. Fox
Thomas Little
Sound:
Bernard Freericks
Roger Heman Sr.
Still Photographer:
Cliff Maupin
Theatre Play:
Howard Dietz
George S. Kaufman
Arthur Schwartz
Visual Effects:
Fred Sersen
Wardrobe Supervisor:
Charles LeMaire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.