A work in constant progress (and occasional regress).
Alias:
Okudera Satoko
Sadoko Okuji
奥寺 佐渡子
Birthplace:
Iwate Prefecture, Japan
Born:
February 16, 1966
Satoko Okudera (奥寺 佐渡子 Okudera Satoko, born 1966 in Iwate Prefecture) is a Japanese screenwriter. She is known for her screenplays in both the live-action and anime mediums. Her 1995 screenplay for Gakkō no kaidan was nominated for the Japan Academy Prize. She is best known for her collaborations with anime director Mamoru Hosoda. A graduate of the Literature Department of Tokai University in Tokyo, Okudera did not originally consider a career in screenwriting. Instead, she worked for an oil company until 1991, after which she quit her job and became a full-time writer. After over a decade of work in live-action film and television, Okudera was offered her first animation project: adapting Yasutaka Tsutsui's novel Toki o Kakeru Shōjo for director Mamoru Hosoda. The resulting film, The Girl Who Leapt Through Time, received worldwide acclaim and gave her international recognition upon its release in 2006. Okudera again collaborated with Hosoda on the 2009 film Summer Wars. At the 2009 Anime Festival Asia in Singapore, Hosoda revealed Okudera would be writing the script for his next project, Wolf Children. (Wikipedia)
Screenplay:
1993 Human Scramble: Rain
1993 Moving
1994 Yoi Ko to Asobou
2002 Concent
2006 Angel
2006 The Girl Who Leapt Through Time
2007 Kaidan
2007 Talk, Talk, Talk
2009 Miyori's Forest
2009 Summer Wars
2010 Permanent Nobara
2011 Rebirth
2011 The Egoists
2011 The Princess and the Pilot
2012 Wolf Children
2013 A Chair on the Plains
2014 Kiki's Delivery Service
2014 The Vancouver Asahi
2015 Maestro!
2018 Café Funiculi Funicula
Writer:
1993 Human Scramble: Rain
1993 Moving
1994 Yoi Ko to Asobou
1995 Haunted School
1996 Haunted School 2
1999 Haunted School 4
2002 Concent
2003 Hana
2003 Samurai Resurrection
2004 OLDK
2006 Angel
2006 The Girl Who Leapt Through Time
2007 Kaidan
2007 Talk, Talk, Talk
2009 Miyori's Forest
2009 Summer Wars
2010 Permanent Nobara
2011 Rebirth
2011 The Egoists
2011 The Princess and the Pilot
2012 Wolf Children
2013 A Chair on the Plains
2014 Kiki's Delivery Service
2014 The Vancouver Asahi
2015 Maestro!
2018 Café Funiculi Funicula
2019 Farewell: Comedy of Life Begins with a Lie
2020 Hope
Creator:
2023 Worst to First: A Teen Baseball Miracle
Screenplay:
2013 Midnight Ferris Wheel
2014 Testimony of N
2021 Dearest
2023 Worst to First: A Teen Baseball Miracle
Screenstory:
2013 Midnight Ferris Wheel
2014 Testimony of N
2021 Dearest
2021 Kawa no Hotori de
2023 Worst to First: A Teen Baseball Miracle
Writer:
2013 Midnight Ferris Wheel
2014 Testimony of N
2017 Reverse
2019 I Will Not Work Overtime, Period!
2021 Dearest
2021 Kawa no Hotori de
2023 Worst to First: A Teen Baseball Miracle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.