Michel Hugo

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Cinematography:
1969  Number One
1970  Fools
1970  R.P.M.
1975  Journey from Darkness
1979  The Cracker Factory
1984  Master Ninja

Director:
1969  Number One
1970  Fools
1970  R.P.M.
1970  Sort of a Commercial for an Icebag
1975  Journey from Darkness
1979  The Cracker Factory
1984  Master Ninja

Director of Photography:
1968  Head
1969  Mission: Impossible vs. the Mob
1969  Model Shop
1969  Number One
1969  The April Fools
1970  Cover Me Babe
1970  Fools
1970  R.P.M.
1970  Sort of a Commercial for an Icebag
1970  The Phynx
1971  A Tattered Web
1971  Bless the Beasts & Children
1971  Earth II
1971  The Forgotten Man
1971  Thief
1972  Climb an Angry Mountain
1972  One Is a Lonely Number
1972  The Night Stalker
1972  They Only Kill Their Masters
1972  Trouble Man
1973  Shirts/Skins
1973  The Spook Who Sat by the Door
1974  Mrs. Sundance
1974  The Morning After
1975  Bug
1975  Death Stalk
1975  Journey from Darkness
1975  The Last Survivors
1976  Ode to Billy Joe
1978  A Love Affair: The Eleanor and Lou Gehrig Story
1978  Terror Out of the Sky
1978  The Bastard
1978  The Manitou
1979  Silent Victory: The Kitty O'Neil Story
1979  The Cracker Factory
1980  Fun and Games
1980  Gorp
1980  The Mountain Men
1980  The Night the City Screamed
1980  The Octagon
1981  Advice to the Lovelorn
1981  Dial M for Murder
1981  When the Circus Came to Town
1982  Pandemonium
1982  The Rules of Marriage
1984  Master Ninja
1989  High Desert Kill
1989  Parent Trap: Hawaiian Honeymoon
2008  Primo

Cinematography:
1983  Chiefs

Director:
1981  Dynasty
1983  Chiefs

Director of Photography:
1966  Mission: Impossible
1972  The Streets of San Francisco
1978  The Awakening Land
1978  The Word
1979  Hart to Hart
1981  Dynasty
1982  Hotel
1983  Chiefs
1992  Melrose Place

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.