A work in constant progress (and occasional regress).
Release Date:
November 1, 1989
Original Title:
High Desert Kill
Genres:
Horror | Science Fiction | TV Movie
Production Companies:
Lehigh Entertainment
MCA Television Entertainment
Universal Television
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 92
Jim and Brad make their annual hunting trip to the desert, but this year everything is different: Their third partner, Paul, has died in an accident and they've taken his nephew, Ray, along in his place. When they arrive, though, there's not a single animal to be found, only a grizzled old-timer who joins them. When they meet two female campers, they all begin to behave aggressively, unable to resist their animal urges. The next morning the women have disappeared, but the strange moods and behaviors persist and change in ominous ways. Something has them in its grip and it has total control over them...
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Assistant Editor:
Jim Rosenthal
Boom Operator:
Michael Becker
Camera Operator:
John Koester
Casting:
Milt Hamerman
Sally Jackson
Co-Executive Producer:
T.S. Cook
Construction Coordinator:
Jamie Archer
Director:
Harry Falk
Director of Photography:
Michel Hugo
Editor:
David Byron Lloyd
Electrician:
Paul Cuffee
Executive Producer:
Jon Epstein
First Assistant Director:
Phil Cook
Gaffer:
Ralph McCarthy
Grip:
Harland Espeset
Hairstylist:
Mary Lampert
Key Grip:
Ken Johnston
Line Producer:
G. Warren Smith
Makeup Artist:
Melanie Hughes
Original Music Composer:
Dana Kaproff
Production Coordinator:
Laura Hoffman
Production Design:
Roger Holzberg
Property Master:
John A. Keim
Scenic Artist:
Ed Vega
Set Dresser:
Stacy Hagen
Joanie Montoya
Sound Mixer:
Bayard Carey
Special Effects:
Jack Faggard
Special Effects Assistant:
Steve Faggard
Arlen Johnson
Story:
Darnell Fry
Mike Marvin
Supervising Music Editor:
Donald Woods
Supervising Producer:
Barry Greenfield
Supervising Sound Editor:
John Stacy
Teleplay:
T.S. Cook
Unit Production Manager:
G. Warren Smith
Wardrobe Supervisor:
Lynette Bernay
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.