A work in constant progress (and occasional regress).
Alias:
Romain-Pierre Charpentier
Birthplace:
Paris, France
Born:
July 12, 1951
Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries or fiction, have failed -with one or two exceptions - to draw large audience but they will remain a mirror of a whole generation.
Art Direction:
1980 Every Man for Himself
Assistant Director:
1978 The Meetings of Anna
1980 Every Man for Himself
Director:
1978 The Meetings of Anna
1980 Every Man for Himself
1982 Half a Life
1983 Shadow Dance
1990 Maman
1991 Against Oblivion
1994 A Letter to L...
1995 Sa vie à elle
1999 À mort la mort !
2002 Purely Coincidental
2007 Gustave Courbet, the Origins of His World
2010 Hands in the Air
2015 Les Jours venus
2018 On the Road in France
2019 Hans Hartung, la fureur de peindre
2023 2 Victory Square, Kyiv
2024 Souviens-toi du futur!
Director of Photography:
1978 The Meetings of Anna
1980 Every Man for Himself
1982 Half a Life
1983 Shadow Dance
1990 Maman
1991 Against Oblivion
1994 A Letter to L...
1995 Sa vie à elle
1999 À mort la mort !
2002 Purely Coincidental
2007 Gustave Courbet, the Origins of His World
2010 Hands in the Air
2015 Les Jours venus
2018 On the Road in France
2019 Hans Hartung, la fureur de peindre
2023 2 Victory Square, Kyiv
2024 Souviens-toi du futur!
Scenario Writer:
1978 The Meetings of Anna
1980 Every Man for Himself
1982 Half a Life
1983 Shadow Dance
1990 Maman
1991 Against Oblivion
1994 A Letter to L...
1995 Sa vie à elle
1999 À mort la mort !
2002 Purely Coincidental
2007 Gustave Courbet, the Origins of His World
2010 Hands in the Air
2015 Les Jours venus
2018 On the Road in France
2019 Hans Hartung, la fureur de peindre
2023 2 Victory Square, Kyiv
2024 Souviens-toi du futur!
Screenplay:
1978 The Meetings of Anna
1980 Every Man for Himself
1982 Half a Life
1983 Shadow Dance
1990 Maman
1991 Against Oblivion
1994 A Letter to L...
1995 Sa vie à elle
1999 À mort la mort !
2002 Purely Coincidental
2007 Gustave Courbet, the Origins of His World
2010 Hands in the Air
2015 Les Jours venus
2018 On the Road in France
2019 Hans Hartung, la fureur de peindre
2023 2 Victory Square, Kyiv
2024 Souviens-toi du futur!
Thanks:
1978 The Meetings of Anna
1980 Every Man for Himself
1982 Half a Life
1983 Shadow Dance
1990 Maman
1991 Against Oblivion
1994 A Letter to L...
1995 Sa vie à elle
1996 A Couch in New York
1999 À mort la mort !
2002 Purely Coincidental
2007 Gustave Courbet, the Origins of His World
2010 Hands in the Air
2015 Les Jours venus
2018 On the Road in France
2019 Hans Hartung, la fureur de peindre
2023 2 Victory Square, Kyiv
2024 Souviens-toi du futur!
Writer:
1978 The Meetings of Anna
1980 Every Man for Himself
1982 Half a Life
1983 Shadow Dance
1990 Maman
1991 Against Oblivion
1994 A Letter to L...
1995 Sa vie à elle
1996 A Couch in New York
1999 À mort la mort !
2002 Purely Coincidental
2007 Gustave Courbet, the Origins of His World
2010 Hands in the Air
2015 Les Jours venus
2018 On the Road in France
2019 Hans Hartung, la fureur de peindre
2023 2 Victory Square, Kyiv
2024 Souviens-toi du futur!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.