A work in constant progress (and occasional regress).
Birthplace:
Santiago del Cile, Cile
Born:
October 24, 1955
Marco Bechis (Santiago de Chile, Chile, October 24, 1955) is a Chilean-Italian screenwriter and film director. He is a survivor of the concentration camp “El Club Atlético”, where he was detained for 15 days in April 1977, during the Argentine military dictatorship. He was expelled to Italy, since he had a passport from that country. His film "Garage Olimpo", which talks about this dictatorship, was presented at the 1999 Cannes Film Festival.
Co-Producer:
2024 Nobody Leaves Alive
Director:
1991 Barbed Wire
1999 Garage Olimpo
2002 Sons and Daughters
2008 Birdwatchers
2011 The Smile of the Leader
2012 Invisible World
2014 Il rumore della memoria
2024 Nobody Leaves Alive
Producer:
1991 Barbed Wire
1999 Garage Olimpo
2002 Sons and Daughters
2008 Birdwatchers
2011 The Smile of the Leader
2012 Invisible World
2014 Il rumore della memoria
2024 Nobody Leaves Alive
Screenplay:
1991 Barbed Wire
1997 The Game Bag
1999 Garage Olimpo
2002 Sons and Daughters
2008 Birdwatchers
2011 The Smile of the Leader
2012 Invisible World
2014 Il rumore della memoria
2024 Nobody Leaves Alive
Story:
1991 Barbed Wire
1997 The Game Bag
1999 Garage Olimpo
2002 Sons and Daughters
2008 Birdwatchers
2011 The Smile of the Leader
2012 Invisible World
2014 Il rumore della memoria
2024 Nobody Leaves Alive
Writer:
1991 Barbed Wire
1997 The Game Bag
1999 Garage Olimpo
2002 Sons and Daughters
2008 Birdwatchers
2011 The Smile of the Leader
2012 Invisible World
2014 Il rumore della memoria
2024 Nobody Leaves Alive
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.