A work in constant progress (and occasional regress).
Release Date:
July 11, 2024
Original Title:
Ninguém Sai Vivo Daqui
Genres:
Drama | Thriller
Production Companies:
Canal Brasil
Geração Entretenimento
Gullane Entretenimento
Karta Film
Sombumbo Filmes
TC Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: 16
Runtime: 87
“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.
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Art Direction:
Dani Vilela
Assistant Director:
Suzy Milstein
Book:
Daniela Arbex
Casting:
Alessandra Tosi
Co-Producer:
Luiz Fernando Emediato
Marco Bechis
Costume Design:
Isadora Ribas
Director:
André Ristum
Director of Photography:
Hélcio Alemão Nagamine
Editor:
Bruno Lasevicius
Executive Producer:
Rodrigo Castellar
Original Music Composer:
Patrick de Jongh
Producer:
André Ristum
Rodrigo Castellar
Caio Gullane
Fabiano Gullane
André Novis
Production Director:
Farid Tavares
Screenplay:
Marco Dutra
Rita Glória Curvo
André Ristum
Sound:
Victor Guerreiro
Sound Designer:
Ricardo Reis
Sound Editor:
Miriam Biderman
Sound Mixer:
Ricardo Reis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.