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Nobody Leaves Alive (2024) [N/A]

Release Date:
July 11, 2024

Original Title:
Ninguém Sai Vivo Daqui

Genres:
Drama | Thriller

Production Companies:
Canal Brasil
Geração Entretenimento
Gullane Entretenimento
Karta Film
Sombumbo Filmes
TC Filmes

Production Countries:
Brazil

Ratings / Certifications:
BR: 16 

Runtime: 87

Overview from TheMovieDB

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

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Performers

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Production

Art Direction:
Dani Vilela

Assistant Director:
Suzy Milstein

Book:
Daniela Arbex

Casting:
Alessandra Tosi

Co-Producer:
Luiz Fernando Emediato
Marco Bechis

Costume Design:
Isadora Ribas

Director:
André Ristum

Director of Photography:
Hélcio Alemão Nagamine

Editor:
Bruno Lasevicius

Executive Producer:
Rodrigo Castellar

Original Music Composer:
Patrick de Jongh

Producer:
André Ristum
Rodrigo Castellar
Caio Gullane
Fabiano Gullane
André Novis

Production Director:
Farid Tavares

Screenplay:
Marco Dutra
Rita Glória Curvo
André Ristum

Sound:
Victor Guerreiro

Sound Designer:
Ricardo Reis

Sound Editor:
Miriam Biderman

Sound Mixer:
Ricardo Reis

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.