A work in constant progress (and occasional regress).
Born:
August 10, 1920
Died:
December 5, 2007
Executive Producer:
1963 The Yellow Teddy Bears
1964 London in the Raw
1965 Primitive London
1965 Repulsion
1966 The Projected Man
1968 Curse of the Crimson Altar
1968 The Blood Beast Terror
1968 Witchfinder General
1969 Zeta One
1970 The Beast in the Cellar
1971 Black Beauty
1971 Hannie Caulder
1971 The Blood on Satan's Claw
1971 The Magnificent Seven Deadly Sins
1972 Neither the Sea Nor the Sand
1973 The Creeping Flesh
1974 Frightmare
Producer:
1961 As Nature Intended
1963 My Bare Lady
1963 The Yellow Teddy Bears
1964 London in the Raw
1964 The Black Torment
1965 Primitive London
1965 Repulsion
1966 Cul-de-sac
1966 The Projected Man
1967 The Sorcerers
1968 Curse of the Crimson Altar
1968 Mini Weekend
1968 The Blood Beast Terror
1968 Witchfinder General
1969 The Body Stealers
1969 The Haunted House of Horror
1969 Zeta One
1970 The Beast in the Cellar
1971 Black Beauty
1971 Hannie Caulder
1971 The Blood on Satan's Claw
1971 The Magnificent Seven Deadly Sins
1972 Doomwatch
1972 Neither the Sea Nor the Sand
1973 The Creeping Flesh
1974 Frightmare
Writer:
1957 Isle of Levant
1961 As Nature Intended
1963 My Bare Lady
1963 The Yellow Teddy Bears
1964 London in the Raw
1964 The Black Torment
1965 Primitive London
1965 Repulsion
1966 Cul-de-sac
1966 The Projected Man
1967 The Sorcerers
1968 Curse of the Crimson Altar
1968 Mini Weekend
1968 The Blood Beast Terror
1968 Witchfinder General
1969 The Body Stealers
1969 The Haunted House of Horror
1969 Zeta One
1970 The Beast in the Cellar
1971 Black Beauty
1971 Hannie Caulder
1971 The Blood on Satan's Claw
1971 The Magnificent Seven Deadly Sins
1972 Doomwatch
1972 Neither the Sea Nor the Sand
1973 The Creeping Flesh
1974 Frightmare
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.