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The Magnificent Seven Deadly Sins (1971) [N/A]

Release Date:
November 1, 1971

Original Title:
The Magnificent Seven Deadly Sins

Alternate Titles:
Die herrlichen sieben Todsünden

Genres:
Comedy

Production Companies:
Tigon British Film Productions

Production Countries:
United Kingdom

Ratings / Certifications:
GB: PG 

Runtime: 107

Overview from TheMovieDB

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

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Performers

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Production

Art Direction:
Roger King

Assistant Director:
Derek Cracknell

Boom Operator:
Ken Nightingall

Camera Operator:
Colin Corby

Casting:
Paul Lee Lander

Conductor:
Roy Budd

Continuity:
Renée Glynne

Director:
Graham Stark

Director of Photography:
Harvey Harrison

Editor:
Rod Nelson-Keys
Roy Piper

Executive Producer:
Bob Guccione
Tony Tenser
Michael L. Green

Hairstylist:
Gordon Bond

Location Manager:
Jim Brennan

Makeup Artist:
Geoffrey Rodway
Wally Schneiderman

Music:
Roy Budd

Producer:
Graham Stark

Production Manager:
Jack Causey

Second Assistant Director:
Richard Jenkins

Sound Editor:
Pat Foster

Sound Mixer:
John Brommage

Special Effects:
Cliff Culley

Still Photographer:
Keith Hamshere

Third Assistant Director:
Raymond Beckett

Transportation Coordinator:
Brian Estabrook

Wardrobe Master:
Roy Ponting

Writer:
Spike Milligan
Barry Cryer
Graham Chapman

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.