A work in constant progress (and occasional regress).
Alias:
Kathleen Sue Nail
Kathleen Sue Spielberg
کیت کپشو
Birthplace:
Fort Worth, Texas, USA
Born:
November 3, 1953
Kathleen Sue Spielberg (Born: November 3, 1953, Height: 5 ft 7 inches (1.70 m)), known professionally as Kate Capshaw, is an American actress and painter with a multifaceted career that traverses action-adventure classics, heartwarming comedies, and artistic pursuits. Born in Texas, Capshaw embarked on an unexpected path: initially, she pursued a career in education, earning a Master's degree in Learning Disabilities and teaching special education. However, her artistic heart yearned for a different stage. Driven by this passion, she moved to New York and delved into acting, landing a role in the soap opera "The Edge of Night." Fate and Hollywood intervened in 1984 when Capshaw, after beating out 120 actresses, landed the pivotal role of Willie Scott in Indiana Jones and the Temple of Doom. This action-adventure blockbuster, directed by Steven Spielberg, not only catapulted her to international fame but also sparked a personal connection that led to their marriage in 1991. Capshaw's career thrived in the 80s and 90s, showcasing her dramatic and comedic chops in films like Dreamscape, Black Rain, Love Affair, and Just Cause. She explored lighter roles in SpaceCamp and The Love Letter, proving her versatility. Beyond acting, Capshaw is a devoted mother to seven children, including actress Jessica Capshaw, and co-parent to adopted children with Spielberg. She has actively supported various charities, highlighting her dedication to humanitarian causes.
Casting:
1999 The Love Letter
Thanks:
1999 The Love Letter
2019 Earthquake Bird
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.