A work in constant progress (and occasional regress).
Release Date:
October 23, 1998
Original Title:
The Alarmist
Alternate Titles:
Life During Wartime
Паника
Genres:
Comedy
Ratings / Certifications:
US: R
Runtime: 92
Young Tommy Hudler decides to become a security systems salesman, and is an instant success. Everything seems to be going great until he discovers there's more to this business and his boss Heinrich than he previously suspected.
Art Direction:
Rachel Kamerman
Associate Producer:
Keith Reddin
Camera Operator:
Gábor Kövér
Tony St. John
Co-Producer:
Jonathan King
Costume Design:
Denise Wingate
Costume Supervisor:
Sandra Collier
Dialogue Editor:
Danielle Ghent
Thomas Jones
Louis Creveling
Jason George
Susan Shin
Director:
Evan Dunsky
Director of Photography:
Alex Nepomniaschy
Editor:
Norman Buckley
Executive Producer:
Stefan Simchowitz
Beau Flynn
Thomas Augsberger
Matthias Emcke
First Assistant Camera:
Stuart T. Lillas
Kirill Davidoff
Gaffer:
Jeff Levy
Music Editor:
Fernand Bos
Music Supervisor:
Barklie K. Griggs
Original Music Composer:
Christophe Beck
Producer:
Lisa Zimble
Dan Stone
Production Coordinator:
Heidi S. Pavey
Production Design:
Amy Ancona
Production Supervisor:
Ross Novie
Screenplay:
Evan Dunsky
Script Supervisor:
Colette Panah
Set Decoration:
Melissa M. Levander
Sound Effects Editor:
James A. Williams
Frederick Howard
Lisle Engle
Roland N. Thai
Sound Re-Recording Mixer:
Patrick Giraudi
Kelly Vandever
Jason Schmid
Special Effects Coordinator:
Andre G. Ellingson
Steadicam Operator:
Steven A. Adelson
Still Photographer:
Michael Britt Hamby
Stunt Coordinator:
Rick Avery
Stunt Double:
Steven Lambert
Theatre Play:
Keith Reddin
Unit Production Manager:
David Grace
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.