A work in constant progress (and occasional regress).
Alias:
Andres Pfaeffli
Birthplace:
Zürich, Switzerland
Associate Producer:
2002 Angel on the Right
2003 Happiness Costs Nothing
Co-Producer:
2002 Angel on the Right
2003 Happiness Costs Nothing
2012 All About You
2012 Garibaldi's Lovers
2013 Per altri occhi
2013 Trees
2017 Il colore nascosto delle cose
2020 Nha Mila
Director:
1991 Point De Vue
2002 Angel on the Right
2003 Happiness Costs Nothing
2012 All About You
2012 Garibaldi's Lovers
2013 Per altri occhi
2013 Trees
2017 Il colore nascosto delle cose
2020 Nha Mila
Producer:
1991 Point De Vue
2001 In Vanda's Room
2002 Angel on the Right
2003 Happiness Costs Nothing
2005 Into Great Silence
2006 Colossal Youth
2006 Tycoon's Interpreter
2007 Dutti der Riese
2007 Fuori dalle corde
2010 The Four Times
2011 The Substance: Albert Hofmann's LSD
2012 All About You
2012 Garibaldi's Lovers
2013 Per altri occhi
2013 Trees
2016 7 Minutes
2016 Il fiume ha sempre ragione
2017 Il colore nascosto delle cose
2018 Libellula gentile. Fabio Pusterla, il lavoro del poeta
2020 Nha Mila
2020 Paul Nizon: Der Nagel im Kopf
2021 Saitenstich
2021 The Age of Innocence
Writer:
1991 Point De Vue
2001 In Vanda's Room
2002 Angel on the Right
2003 Happiness Costs Nothing
2005 Into Great Silence
2006 Colossal Youth
2006 Tycoon's Interpreter
2007 Dutti der Riese
2007 Fuori dalle corde
2010 The Four Times
2011 The Substance: Albert Hofmann's LSD
2012 All About You
2012 Garibaldi's Lovers
2013 Per altri occhi
2013 Trees
2016 7 Minutes
2016 Il fiume ha sempre ragione
2017 Il colore nascosto delle cose
2018 Libellula gentile. Fabio Pusterla, il lavoro del poeta
2020 Nha Mila
2020 Paul Nizon: Der Nagel im Kopf
2021 Saitenstich
2021 The Age of Innocence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.