A work in constant progress (and occasional regress).
Alias:
Anthony Perry
Anthony Perry Wong
Anthony Perry Wong Chau-Sang
Anthony Wong
Anthony Wong Chau-Sang
Chau-Sang Wong
Huang Qiusheng
Wong Chau-Sang
آنتونی وونگ چائو سانگ
黃秋生
黄秋生
Birthplace:
Hong Kong, British Crown Colony
Born:
September 2, 1961
Anthony Wong Chau-Sang (Chinese: 黃秋生, born Anthony Perry on September 2, 1961) was born to a British father and a Chinese mother. He never knew his father, since the man left his family when Wong was four years old. He trained acting at ATV and later enrolled into the Hong Kong Academy for Performing Arts. After working in several TV Series, he shot to stardom with hits such as "Hard-Boiled", "When Fortune Smiles", and his Golden Horse-winning performance in the horrific "The Untold Story", directed by Herman Yau. In 1995, he made his directorial debut with the film "New Tenant". In 1996, Wong and Yau teamed up again with a cult class horror film "Ebola Syndrome". He won his second Hong Kong Film Award for his role as the corrupt police officer Tung in the critically acclaimed "Beast Cops" (1998). Wong continued his success in roles in films such as the "Young and Dangerous" franchise, "The Mission" (1999), "Infernal Affairs" (2002), "Initial D" (2005), "Exiled" (2006), "Secret" (2007), "Ip Man: The Final Fight" (2013), "Still Human" (2018), and "The Sunny Side of the Street" (2022). With nearly 300 screen credits to his name, Anthony Wong Chau-Sang is one of the most versatile and prolific actors in world cinema.
Director:
1995 New Tenant
1996 Top Banana Club
Screenplay:
1995 New Tenant
1996 Top Banana Club
Songs:
1991 Erotic Ghost Story II
1995 New Tenant
1996 Top Banana Club
1999 The Deadly Camp
Writer:
1991 Erotic Ghost Story II
1995 New Tenant
1996 Top Banana Club
1999 The Deadly Camp
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.