Jonathan Sehring

Jonathan Sehring is a producer. He was on the team that launched the Independent Film Channel in 1994 and then created IFC Films and IFC Prods, notably funding the Oscar fave “Boyhood” for its 12 years of production. Under Sehring’s leadership, the company launched the genre label IFC Midnight and, in 2009, Sundance Selects to distribute prestige films focusing on American independents, documentaries and world cinema. Sehring led IFC Films’ theatrical/VOD day-and-date release model, touted as the first company to put out films this way. IFC pics include “My Big Fat Greek Wedding,” Steven Soderbergh’s “Che,” Miranda July’s “Me and You and Everyone We Know” and Michael Moore’s “Fahrenheit 9/11.” He departed IFC at the end of 2018.

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Executive Producer:
1996  Gray's Anatomy
1999  Boys Don't Cry
1999  Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.
2000  Divine Trash
2000  Girlfight
2000  Our Song
2000  Spring Forward
2000  The Name of This Film Is Dogme95
2001  Chelsea Walls
2001  Monsoon Wedding
2001  Songcatcher
2001  Tape
2001  Waking Life
2002  Happy Here and Now
2002  Personal Velocity
2002  Tadpole
2002  Ten Tiny Love Stories
2002  World Traveler
2003  A Decade Under the Influence
2003  Casa de los Babys
2003  Intermission
2003  Pieces of April
2004  Land of Plenty
2004  Murder by Numbers
2005  American Gun
2005  Lonesome Jim
2005  Me and You and Everyone We Know
2005  The Ballad of Jack and Rose
2005  The Baxter
2006  Bull Sessions: The Making of ‘Rank’

Producer:
1996  Gray's Anatomy
1999  Boys Don't Cry
1999  Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.
2000  Divine Trash
2000  Girlfight
2000  Our Song
2000  Spring Forward
2000  The American Nightmare
2000  The Name of This Film Is Dogme95
2001  Chelsea Walls
2001  Monsoon Wedding
2001  Songcatcher
2001  Tape
2001  Waking Life
2002  Coastlines
2002  Happy Here and Now
2002  Personal Velocity
2002  Tadpole
2002  Ten Tiny Love Stories
2002  World Traveler
2003  A Decade Under the Influence
2003  Casa de los Babys
2003  Intermission
2003  Pieces of April
2004  Land of Plenty
2004  Murder by Numbers
2005  American Gun
2005  Lonesome Jim
2005  Me and You and Everyone We Know
2005  The Ballad of Jack and Rose
2005  The Baxter
2006  Bull Sessions: The Making of ‘Rank’
2014  Boyhood
2022  The Torch

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.