A work in constant progress (and occasional regress).
Release Date:
June 17, 2005
Original Title:
Me and You and Everyone We Know
Alternate Titles:
君とボクの虹色の世界
미 앤 유 앤 에브리원
Genres:
Comedy | Drama
Production Companies:
Film4 Productions
Gina Kwon Productions
IFC Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
FR: U US: R
Runtime: 91
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
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"B" Camera Operator:
Keith J. Duggan
ADR Editor:
Michelle Pazer
Additional Camera:
Michael Barnett
Additional Casting:
Linda Phillips-Palo
Eyde Belasco
Additional Sound Re-Recording Mixer:
Shaughnessy Hare
Art Department Coordinator:
Juliane Crump
Art Direction:
John Wyatt
Assistant Art Director:
Erinn McCormack
Emily Bulfin
Assistant Editor:
Scott M. Davids
Assistant Makeup Artist:
Lauren Velez
Assistant Production Coordinator:
Marlene Stevens
Assistant Sound Editor:
Barbara Noren
Best Boy Electric:
Dan Kanes
Boom Operator:
Preston Connor
Casting:
Meg Morman
Costume Design:
Christie Wittenborn
Craft Service:
Sylvia Vidaurri
Dialogue Editor:
Michelle Pazer
Director:
Miranda July
Director of Photography:
Chuy Chávez
Editor:
Andrew Dickler
Charles Ireland
Executive Producer:
Caroline Kaplan
Peter Carlton
Jonathan Sehring
Holly Becker
First Assistant "B" Camera:
Peter Ozarowski
First Assistant Camera:
Michael Skor
Foley Artist:
Stefan Fraticelli
Foley Mixer:
Stephen Muir
Gaffer:
Eric Forand
Graphic Designer:
Sean Tejaratchi
Key Grip:
Stephen James
Key Hair Stylist:
Leo Won
Key Makeup Artist:
Leo Won
Location Manager:
William Sandidge
Wallace Uchida
Taylor Boyd
Music Consultant:
Peter Afterman
Music Coordinator:
Brienne Rose
Online Editor:
Matt Radecki
Original Music Composer:
Michael Andrews
Post Production Supervisor:
Bradley M. Goodman
Producer:
Gina Kwon
Production Design:
Aran Mann
Production Office Coordinator:
T. Scott Keiner
Production Sound Mixer:
Yehuda Maayan
Prosthetics:
Barney Burman
Screenplay:
Miranda July
Script Supervisor:
Sherry Gunderman
Second Assistant Camera:
Jennifer Lai
Second Second Assistant Director:
Elion Olson
Set Decoration:
Bryan Venegas
Set Dresser:
Andrew O'Melia
Elizabeth Leister
Lauren Rosenbloom
Sound Mixer:
Zsolt Magyar
Sound Re-Recording Mixer:
Meg Taylor
Special Effects Makeup Artist:
Jerry Constantine
Steadicam Operator:
Michael Stumpf
Still Photographer:
Phoebe Sudrow
Stunt Coordinator:
Terry Notary
Stunts:
Jayson Dumenigo
Steven Lambert
Phil Chong
Mark Chadwick
Supervising Sound Editor:
Meg Taylor
Transportation Captain:
Rocco Dinobili
Transportation Coordinator:
Collin Butrum
VFX Artist:
Scott M. Davids
Visual Effects:
Scott M. Davids
Visual Effects Supervisor:
David Sosalla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.