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Film Performances

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Film Production

Camera Operator:
1962  A Queen for Caesar
1963  The Tyrant of Lydia Against the Son of Hercules
1964  Hercules Against the Sons of the Sun
1964  Hercules vs. the Giant Warriors
1964  Messalina Against the Son of Hercules
1964  Revolt of the Praetorians
1964  The Revolt of the Seven
1965  Thrilling

Cinematography:
1962  A Queen for Caesar
1963  The Tyrant of Lydia Against the Son of Hercules
1964  Hercules Against the Sons of the Sun
1964  Hercules vs. the Giant Warriors
1964  Messalina Against the Son of Hercules
1964  Revolt of the Praetorians
1964  The Revolt of the Seven
1965  Thrilling
1967  Days of Violence
1967  Last of the Badmen
1969  The Labyrinth of Sex
1971  Eye of the Spider
1975  La collegiale

Director of Photography:
1962  A Queen for Caesar
1963  The Tyrant of Lydia Against the Son of Hercules
1964  Hercules Against the Sons of the Sun
1964  Hercules vs. the Giant Warriors
1964  Messalina Against the Son of Hercules
1964  Revolt of the Praetorians
1964  The Revolt of the Seven
1965  The Conqueror of Atlantis
1965  The Desert Renegades
1965  Thrilling
1966  How We Robbed the Bank of Italy
1967  Days of Violence
1967  Kitosch, the Man Who Came from the North
1967  Last of the Badmen
1967  Spia spione
1968  Cry of Death
1968  How We Stole the Atomic Bomb
1969  Pensiero d'amore
1969  The Labyrinth of Sex
1970  Lady Barbara
1970  Tears of Love
1971  Eye of the Spider
1972  So Sweet, So Dead
1972  You're Jinxed, Friend, You've Met Sacramento
1973  Battle of the Amazons
1973  Li chiamavano i tre moschettieri... invece erano quattro
1973  Women in Cell Block 7
1974  Free Love
1974  Super Stooges vs the Wonder Women
1975  La collegiale

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.