A work in constant progress (and occasional regress).
Release Date:
June 27, 1964
Original Title:
L'ultimo gladiatore
Alternate Titles:
Empress Messalina Meets the Son of Hercules
Hercule contre les mercenaires
Messalina vs. the Son of Hercules
The Last Gladiator
Genres:
Adventure | Drama
Production Companies:
Les Films Jacques Leitienne
Prometeo Film
Unicité
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 98
While fighting in Britain, Roman forces commanded by Caligula capture the noble warrior, Glaucus. Seeing in him gladiator material, Caligula takes Glaucus back to Rome along with other hostages including Glaucus's girlfriend, Ena. A man seeking to restore the Roman Republic then assassinates Caligula after which Claudius is proclaimed emperor. Messalina -- Claudius's beautiful but evil wife -- then maneuvers to replace Claudius with her lover, Silio. She forces Glaucus to help her in this quest by threatening to harm the enslaved Ena. Written by dinky-4 of Minneapolis
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Assistant Camera:
Mario Pastorini
Assistant Costume Designer:
Antonio Randaccio
Camera Operator:
Fausto Rossi
Costume Design:
Mario Giorsi
Director:
Umberto Lenzi
Director of Photography:
Pier Ludovico Pavoni
Editor:
Nella Nannuzzi
First Assistant Director:
Victor Tourjansky
Larbi Tounsi
Filiberto Fiaschi
Hairstylist:
Renata Magnanti
Makeup Artist:
Otello Fava
Master at Arms:
Bruno Ukmar
Original Music Composer:
Carlo Franci
Production Design:
Pier Vittorio Marchi
Production Manager:
Carlo Vassalle
Script Supervisor:
Liana Ferri
Set Decoration:
Franco D'Andria
Sound:
Franco Groppioni
Unit Manager:
Albino Morandin
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.