A work in constant progress (and occasional regress).
Alias:
Bill Byers
William Byers
Conductor:
1973 The Borrowers
1982 Andy Williams' Early New England Christmas
Music:
1967 Young Americans
1970 Hauser's Memory
1973 The Borrowers
1973 The Sting
1982 Andy Williams' Early New England Christmas
Music Arranger:
1967 Young Americans
1970 Hauser's Memory
1973 The Borrowers
1973 The Sting
1974 Mitzi... A Tribute to the American Housewife
1980 Linda in Wonderland
1981 Walt Disney: One Man's Dream
1982 Andy Williams' Early New England Christmas
1982 EPCOT Center: The Opening Celebration
Music Director:
1967 Young Americans
1970 Hauser's Memory
1973 The Borrowers
1973 The Sting
1974 Mitzi... A Tribute to the American Housewife
1975 Mitzi & 100 Guys
1977 Happy Birthday, Las Vegas
1980 Linda in Wonderland
1981 Walt Disney: One Man's Dream
1982 Andy Williams' Early New England Christmas
1982 EPCOT Center: The Opening Celebration
Music Supervisor:
1961 Paris Blues
1967 Young Americans
1970 Hauser's Memory
1973 The Borrowers
1973 The Sting
1974 Mitzi... A Tribute to the American Housewife
1975 Mitzi & 100 Guys
1977 Happy Birthday, Las Vegas
1980 Linda in Wonderland
1981 Walt Disney: One Man's Dream
1982 Andy Williams' Early New England Christmas
1982 EPCOT Center: The Opening Celebration
Orchestrator:
1961 Paris Blues
1967 Young Americans
1970 Hauser's Memory
1973 The Borrowers
1973 The Sting
1974 Mitzi... A Tribute to the American Housewife
1975 Mitzi & 100 Guys
1977 Happy Birthday, Las Vegas
1980 Linda in Wonderland
1981 Perfectly Frank: Frank Loesser Revued
1981 Walt Disney: One Man's Dream
1982 Andy Williams' Early New England Christmas
1982 EPCOT Center: The Opening Celebration
1989 Music Box
1993 The Will Rogers Follies: A Life In Revue
1995 Victor/Victoria
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.