A work in constant progress (and occasional regress).
Release Date:
November 26, 1993
Original Title:
The Will Rogers Follies: A Life In Revue
Alternate Titles:
The Will Rogers Follies
Genres:
Music
Production Companies:
Arca Media
Japan Satellite Broadcasting
Pierre Cossette Enterprises
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 144
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
Assistant Director:
Christine Clark Bradley
Associate Choreographer:
Jeff Calhoun
Associate Producer:
Yoshiaka Iba
Camera Operator:
Jake Ostroff
Charlie Huntley
Ron Washburn
Bob Camitta
John Burdick
Bill Goetz
Larry McConkey
Casting:
Julie Hughes
Barry Moss
Choreographer:
Tommy Tune
Costume Design:
Willa Kim
Director:
Walter C. Miller
Editor:
Brent Carpenter
Executive In Charge Of Production:
John Cossette
Executive Producer:
Tamamatsu Kuwata
Pierre Cossette
Lighting Design:
Alan Adelman
Jules Fisher
Lyricist:
Adolph Green
Betty Comden
Music Arranger:
Cy Coleman
Music Director:
Eric Stern
Musical:
Peter Stone
Adolph Green
Betty Comden
Cy Coleman
Orchestrator:
Billy Byers
Producer:
Noriyasu Ueki
Production Manager:
Amy Storti
Production Supervisor:
Don Dudley
Projection:
Wendall K. Harrington
Set Designer:
Tony Walton
Songs:
Cy Coleman
Sound:
Ed Greene
Sound Designer:
Peter Fitzgerald
Stage Director:
Tommy Tune
Technical Supervisor:
John B. Field
Wig Designer:
Howard Leonard
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.