A work in constant progress (and occasional regress).
Birthplace:
Jackson Heights, New York
Born:
October 18, 1945
Shep E. Gordon is an American talent manager, Hollywood film agent, and producer. Gordon is featured in a 2013 documentary, Supermensch: The Legend of Shep Gordon, which was directed by Mike Myers. He obtained his B.A. in 1968 from the State University of New York at Buffalo (UB) in sociology. He then moved to Los Angeles, California. He first gained connections in Hollywood by meeting Jimi Hendrix, Janis Joplin, and Alice Cooper in 1968. He quickly became Cooper's agent. Much of Coopers stage act and the band's overall macabre persona was influenced directly by Gordon, who created many imaginative and wild events to get Cooper PR in the papers, including throwing a live chicken on stage. Gordon subsequently later represented many other celebrities such as Anne Murray, Blondie, Teddy Pendergrass, and Luther Vandross. Gordon has worked on numerous film productions, typically as a producer. These include The Duellists and Kiss of the Spider Woman. He then created one of the first independent film production companies in the U.S., Alive Films. His work was instrumental in bringing the modern wave of celebrity chefs into existence. He represented many of the top chefs of the world at a time when they were not known in popular culture, and, when the Food Network was first created, he brought many of them to the same, including Emeril Lagasse, helping to make them all the household names they are now. He owns multiple restaurants. *Source:* **Wikipedia**
Executive Producer:
1974 Good to See You Again, Alice Cooper
1975 Alice Cooper: The Nightmare
1981 Journey: Live in Houston 1981 - The Escape Tour
1984 Choose Me
1987 Prince of Darkness
1987 The Whales of August
1988 A Time of Destiny
1988 Far North
1988 The Moderns
1988 They Live
1989 Shocker
1991 The People Under the Stairs
1995 Village of the Damned
2014 Super Duper Alice Cooper
2022 Dear Mr. Brody
Producer:
1974 Good to See You Again, Alice Cooper
1975 Alice Cooper: The Nightmare
1981 Journey: Live in Houston 1981 - The Escape Tour
1984 Choose Me
1987 Prince of Darkness
1987 The Whales of August
1988 A Time of Destiny
1988 Far North
1988 The Moderns
1988 They Live
1989 Shocker
1991 The People Under the Stairs
1995 Village of the Damned
2010 Alice Cooper: Theatre of Death
2014 Super Duper Alice Cooper
2022 Dear Mr. Brody
Writer:
1974 Good to See You Again, Alice Cooper
1975 Alice Cooper: The Nightmare
1981 Journey: Live in Houston 1981 - The Escape Tour
1984 Choose Me
1987 Prince of Darkness
1987 The Whales of August
1988 A Time of Destiny
1988 Far North
1988 The Moderns
1988 They Live
1989 Shocker
1991 The People Under the Stairs
1995 Village of the Damned
2010 Alice Cooper: Theatre of Death
2014 Super Duper Alice Cooper
2022 Dear Mr. Brody
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.